Tyranny in 70 mm: Notes on The Master
Jon Eig
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Posted 11.30.2012
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Paul Thomas Anderson,
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One of the convenient things about Anderson's latest film is that it is open-ended to the point that it allows a viewer to draw multiple conclusions. I see de Quincey and Lévi-Strauss, but you can probably find whoever you want buried in there. Does this make for high art?
