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Both wide releases opened rather well this weekend, and in this case the weekend gross of the second place film is arguably a more impressive achievement.

The total weekend number only tells part of the story. Arguably as important as the massive three-day figure is the manner in which it was earned.

Titanic is still a splendidly powerful bit of moviemaking, one of the best films of the 1990s, and one of the best pure blockbusters of our time.

As expected, The Hunger Games again topped the box office this weekend, but its relatively strong hold suggests that it may be a bit mightier than a conventional Twilight/Harry Potter sequel.

Jonathan Liebesman's Wrath of the Titans is arguably about as 'good' as a movie called Wrath of the Titans can be expected to be.

Years from now, marketing schools will teach John Carter as an example of where the Disney team did everything wrong, at least in America.

Even in the post-Twilight age where The Hunger Games is set to open on a massive scale, female-centric franchise pictures are still considered a risky bet, arguably riskier than they were considered just 15 years ago.

On one hand, that means that every respective demographic was ably served this weekend. On the other hand, one can only wonder how much cash was sacrificed by opening these four movies on the same weekend.

Taking away the fact that one film was a cinematic breakthrough and launched the fandom of a hundred-million would-be movie lovers and the other was released under crushing expectations, The Phantom Menace is really no better or worse than Star Wars Episode IV: A New Hope.

If he truly makes her happy, then Belle deserves a lifetime of happiness with the now-human prince. But on the basis of his onscreen behavior, the Beast does not deserve Belle.