As someone who's been there before and learned a whole lot from the experience, I decided to put together some simple tips for networking at the world's premiere film festival.
Pablo Larraín has achieved something spectacularly unique with No, his beta-max rendition of the 1988 referendum vote in Chile concerning dictator Augusto Pinochet.
Unfortunately, a film without a narrative purpose feels like a shallow act, and soon enough watching purposeless characters continue down that road over and over becomes tiresome.
In point of fact, Andrew Dominik's Killing Them Softly is about the state of America and the economy that keeps its motor running. But who's paying for that motor and where are we getting it from?
Georges and Anne are a loving couple in their eighties, played with delicate humanity by Jean-Louis Trintignant and Emmanuelle Riva. One morning while preparing breakfast, Anne suffers a stroke, paralyzingly the right side of her body. Thus begins the ultimate test of the couple's love for one another,
Here in Cannes with his new chamber movie of sorts, The We and the I, Michael Gondry continues a creative decline that appears to have no bottom.
Unlike his last live-action and somewhat somber film The Darjeeling Limited, this is a return to the youthful vigor and real emotion on display in Wes Anderson's earlier work.
Keeping in line with their affinity for beautiful blondes of yore, Cannes has released its poster for its 2012 festival featuring the most beautiful b...
