The Moviefone Blog http://news.moviefone.com The Moviefone Blog is the place for movie lists, trailers, trivia, interviews and features on movies out in theaters and coming soon. http://news.moviefone.com/media/feedlogo.gif The Moviefone Blog http://news.moviefone.com en-us Copyright 2013 Blogsmith, LLC. The contents of this headlines and excerpts feed are available for limited commercial distribution. You may repost this feed to your site provided you link back to the original story, do not edit the material, and do not remove this copyright notice. Blogsmith http://www.blogsmith.com/ <![CDATA['Sex and the City 2' Movie Reviews]]> 19490983 Glamorous as ever, our favorite high heel-wearing, martini-sipping Manhattanites -- Carrie (Sarah Jessica Parker), Miranda (Cynthia Nixon), Charlotte (Kristin Davis) and Samantha (Kim Cattrall) -- are all back in 'Sex and the City 2.' The once-famously single ladies, though, have all managed to procure a ring from their respective suitors -- well, except Samantha, who just plainly loves the noncommittal, single life.

Stressed out from the varied, daily complications of work and married life, Samantha and her three gal pals take up an offer from a Middle Eastern producer to fly them out for the PR launch of his new hotel in Abu Dhabi. Conflict soon ensues as their New York lifestyle of provocative fashion causes an uproar on the conservative Arabian sands. Also, Carrie unexpectedly runs into Aidan (John Corbett), which leads to a date and more. The question now becomes: Should she tell Big (Chris Noth) about it, and possibly rattle their nearly settled, perfect union?

Unlike the mostly charmed applause for the first film, critics have refused to buy what writer-director Michael Patrick King is selling this time around. The consensus seems to be that the sequel fails to capture the true spark and nature of the much beloved, Emmy-winning show. Potentially a critic-proof sale at the box office, 'Sex and the City 2' might be able pull out a win over 'Prince of Persia' solely on the complete, undying support from the ravenous fans of the HBO show.

Read what the critics had to say. Glamorous as ever, our favorite high heel-wearing, martini-sipping Manhattanites -- Carrie (Sarah Jessica Parker), Miranda (Cynthia Nixon), Charlotte (Kristin Davis) and Samantha (Kim Cattrall) -- are all back in 'Sex and the City 2.' The once-famously single ladies, though, have all managed to procure a ring from their respective suitors -- well, except Samantha, who just plainly loves the noncommittal, single life.

Stressed out from the varied, daily complications of work and married life, Samantha and her three gal pals take up an offer from a Middle Eastern producer to fly them out for the PR launch of his new hotel in Abu Dhabi. Conflict soon ensues as their New York lifestyle of provocative fashion causes an uproar on the conservative Arabian sands. Also, Carrie unexpectedly runs into Aidan (John Corbett), which leads to a date and more. The question now becomes: Should she tell Big (Chris Noth) about it, and possibly rattle their nearly settled, perfect union?

Unlike the mostly charmed applause for the first film, critics have refused to buy what writer-director Michael Patrick King is selling this time around. The consensus seems to be that the sequel fails to capture the true spark and nature of the much beloved, Emmy-winning show. Potentially a critic-proof sale at the box office, 'Sex and the City 2' might be able pull out a win over 'Prince of Persia' solely on the complete, undying support from the ravenous fans of the HBO show.

Here's what the critics had to say:

Entertainment Weekly: "It's of passing interest to note that all the male characters who make return visits -- including John Corbett as Carrie's ex, David Eigenberg as Miranda's husband, Evan Handler as Charlotte's husband, and Jason Lewis as Samantha's actor boy-toy -- are so nice and mild and understanding and accommodating that they fade into invisibility. 'SATC2' doesn't have time to follow any relationships other than those among Carrie, Samantha, Charlotte, Miranda, and their suitcases full of costumer Patricia Field's caftan-themed creations. As Carrie might type on her laptop while giving one of her girly little shrugs, 'When did "Sex and The City" become so long and mean so little?'"

Roger Ebert: "All of this is pretty thin gruel. The movie shows enterprise, and flies the entire cast away to the emirate of Abu Dhabi, where the girls are given a $22,000-a-night suite and matching Maybachs and butlers, courtesy of a sheik who wants to have a meeting with Samantha and talk about publicity for his hotel. This sequence is an exercise in obscenely conspicuous consumption, in which the girls appear in so many different outfits they must have been followed to the Middle East by a luggage plane. I don't know a whole lot about fashion, but I know something about taste, and these women spend much of the movie dressed in tacky, vulgar clothing."

L.A. Times: "King might have done well to borrow from some of those classic Arabian tales. Instead, the script is at its weakest when he takes a stab at burka jokes and the lives of the women confined to them. In general, the film's Muslim sendups fall into two categories: painfully clichéd or cringe-worthy. 'Bedouin, Bath & Beyond' is bad enough, but 'the real housewives of Abu Dhabi'? Really? Ironically, the nicest moments -- Miranda and Charlotte confessing their parenting woes, Big turning into a very believable homebody, Aidan talking about his three sons -- are the least typical of 'Sex and the City' fare, yet the most in touch with American midlife realities. Cattrall has the toughest go of it with Samantha too sad and too shrill in her menopausal misery, a pity."


Slant Magazine: "It's not an unrealistic assessment, but it's still Cosmopolitan-deep philosophizing, and when their saviors take off their burkhas to reveal that they buy the latest Madison Avenue fashions, you have to laugh at how King trivializes female experience by conflating Western and Middle-Eastern cultural mores, absurdly linking the fashionista to the feminist freedom fighter and suggesting that women can only relate to each other if they share the same taste in clothes. The film's protagonists may never give their Muslim sisters a second thought again, but they're deeper than that. King's fascist, superficial assessment of their intelligence insults them as the women we came to know them as on television, and no doubt has (Susan) Sontag turning in her grave."

Time Out New York: "Under the rule of this formidable foursome, the big, bad Middle East becomes a menopausal Westerner's delight. One wrongheaded jaw-dropper follows another, from Samantha's description of a gay manservant as 'Paula Abdu' to a comic climax in which the ladies escape an angry male mob by wearing hijabs and abayas given to them by like-minded Muslim women. And the featherbrained feminism the franchise specializes in reaches its apex when Carrie files her latest book ('I Do. Do I?') beside Susan Sontag's 'Against Interpretation.' How do you say "In your dreams, girlfriend" in Arabic?"

Village Voice: "I get that 'dignity be damned' is a mantra for writer-director King, who wants to let us know, every five minutes, that he just loves women. But it's one thing to create a group of BFFs who have become, in their way, post-millennium pop female icons as beloved as Mary Richards and Rhoda Morgenstern were in the late 1970s. It's quite another to drag them well into middle age, dress them like mutton passing as lamb, and lumber them with female troubles culled straight from the mommy or single lady blogs."

Salon: "It's offensive to an entire audience who came of age with these women and who remain breathtakingly loyal, and out of nostalgic affection may not have the heart to turn away from them. It's offensive to King's own creations, toward whom he now seems to feel nothing but contempt. It's offensive because it keeps cattle-driving a franchise once based on sparkle and economy toward new heights of painful, frantic emptiness. I kept telling myself, over and over, that Carrie, Samantha, Miranda and Charlotte -- the real, flawed, funny, recognizably human ones, not these lobotomized zombie replacements -- would never do anything so dumb."]]> 2010-05-27T19:00:00+00:00 http://news.moviefone.com/2010/05/27/sex-and-the-city-2-movie-reviews/ <![CDATA['Shrek Forever After' Movie Reviews]]> 19482128 The fourth and presumed final installment (or at least that's how it's being marketed) of the 'Shrek' films, 'Shrek Forever After' revisits the beloved ogre as he is going through a sort of midlife crisis.

Overwhelmed by the chaotic routine of everyday living, Shrek (Mike Myers) is sick of being a family man and yearns to return to his role of the not-so-gentle green giant. He also finds the daily visits from a tour bus an infuriating nuisance. After a small quarrel with wife Fiona (Cameron Diaz) at their children's birthday bash, Shrek meets the sneaky Rumpelstiltskin (Walt Dohrn), a wish-granting malcontent who wants to take over Far, Far Away kingdom. Soon the evildoer and his creepy, sharp-toothed goose trick Shrek into granting a wish that would regrettably flip the world he knows upside down, with Rumpelstiltskin atop the throne and Shrek left Fiona-less.

The overall critical consensus on 'Shrek Forever After' seems to be somewhat middling: All agree the franchise has somewhat lost its visual luster and unfortunately run out of steam. Josh Bell of the Las Vegas Weekly calls the film "decidedly pointless." However, Lisa Schwarzbaum of Entertainment Weekly feels like the creative team behind the film, along with its actors, perform "adequately" enough.

Read what the critics have to say: The fourth and presumed final installment (or at least that's how it's being marketed) of the 'Shrek' films, 'Shrek Forever After' revisits the beloved ogre as he is going through a sort of midlife crisis.

Overwhelmed by the chaotic routine of everyday living, Shrek (Mike Myers) is sick of being a family man and yearns to return to his role of the not-so-gentle green giant. He also finds the daily visits from a tour bus an infuriating nuisance. After a small quarrel with wife Fiona (Cameron Diaz) at their children's birthday bash, Shrek meets the sneaky Rumpelstiltskin (Walt Dohrn), a wish-granting malcontent who wants to take over Far, Far Away kingdom. Soon the evildoer and his creepy, sharp-toothed goose trick Shrek into granting a wish that would regrettably flip the world he knows upside down, with Rumpelstiltskin atop the throne and Shrek left Fiona-less.

The overall critical consensus on 'Shrek Forever After' seems to be somewhat middling: All agree the franchise has somewhat lost its visual luster and unfortunately run out of steam. Josh Bell of the Las Vegas Weekly calls the film "decidedly pointless." However, Lisa Schwarzbaum of Entertainment Weekly feels like the creative team behind the film, along with its actors, perform "adequately" enough.

Here's what the critics have to say:

The Hollywood Reporter: "You know that a film franchise is beginning to tire when its central character is in the throes of a midlife crisis. Such is the case with the lovable ogre in 'Shrek Forever After,' the fourth and promised final film in the animated series that has proven a moneymaking machine in its last three incarnations. Receiving its world premiere as the opening-night film at the Tribeca Film Festival, this installment should prove equally lucrative -- especially considering the extra coin that 3D and IMAX bring to the table -- but it also reveals a definite been-there, done-that feeling."

Village Voice: " It takes the film a deadly long time to kick in, and when it does, it largely retreads formula: ironic use of pop standards, musical numbers with contemporary choreography played for maximum laughs, risque one-liners. By the middle of the second act, 'Forever After' finally finds its groove, becoming mildly amusing (the actors -- Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderas -- are in fine form) but never rising to the inspired heights of the original. And the 3-D effects are so weak as to bring nothing to the table."

Entertainment Weekly: "There's a soft, middle-aged complacency to the well-oiled mechanics of 'Shrek Forever After,' the fourth and (possibly but never say never) last episode of the now classic spoofy animated fairy tale based on William Steig's beloved 1990 children's book. The plump green princess bride Fiona (Cameron Diaz) is back, as are Shrek's motormouthed buddy Donkey (Eddie Murphy) and the suave feline Puss in Boots (Antonio Banderas). But what was once a fresh, self-referential twist on the vulturish consumption of pop culture when the first 'Shrek' debuted in 2001 has become a lazy corporate tic ... Everyone involved fulfills his or her job requirements adequately."

San Francisco Chronicle: "An attempt an injecting some novelty with the Rumpelstiltskin character also falls flat: He's tiny but hugely obnoxious. It's one thing to have an over-the-top villain if he's a compelling, well-developed figure. This guy is just off-putting. The only thing that changes about him are the wigs he wears for various occasions. Thankfully, Antonio Banderas returns to voice the swashbuckling Puss in Boots -- only in Shrek's weird new world, the kitty has gotten so lazy and overfed as Fiona's pampered pet, he can't even buckle his own belt. Still, Puss remains the most consistent source of comedy in the 'Shrek' series. Here's hoping that when the character gets his own movie spin-off, he'll be able to stand on his own two paws without the needless aid of a third dimension."


Las Vegas Weekly: "'Forever After' isn't as jumbled and irritating as 2007's 'Shrek the Third,' but it's still decidedly pointless, a story that starts and ends in pretty much the same place and doesn't do much interesting in between. Clearly out of ideas for what to do with Shrek and his pals, the filmmakers go all 'It's a Wonderful Life' on Shrek and whisk him away to a world in which he was never born, so that he has to re-do a bunch of stuff he already did in the first movie, including wooing Fiona (now a badass ogre warrior) and befriending the annoying Donkey (Eddie Murphy)."

Slant Magazine: "The tale's overriding message about learning to view parenthood as a blessing rather than a curse seems targeted at those adults unhappy about having to accompany their kids to yet another 'Shrek' film, and the sweetly juvenile humor feels more tepid and staid than ever, albeit mercifully free of the usual fart and poop gags. While its prime conceit offers little insight into, or development of, its main characters or their relationships (as well as doesn't flirt with the 'Shrek' saga's typical inversion of Disney animation's outer beauty = inner beauty paradigm), at least the devilish Rumpelstiltskin delivers some unique manic-twerp energy to the otherwise ho-hum proceedings. 'Shrek Forever After' isn't offensive, just innocuous and unnecessary, a supposed final chapter to a series that should have ended two installments ago."

Time Out New York: "Such a sideways move toward maturity might be applaudable if the rest of the film weren't just desperately beating a dead cash cow. Third times are rarely charms in the movies, much less fourth go-rounds, and it takes more than ho-hum 3-D and video-game-ready action sequences to liven up diminishing returns. When a chubby tabby is given the best lines, alienating the 12-and-under set with midlife crises might be the least of your problems."]]> 2010-05-20T18:00:00+00:00 http://news.moviefone.com/2010/05/20/shrek-forever-after-movie-reviews/ <![CDATA['Just Wright' Movie Reviews]]> 19472860 Featuring one of the most unexpected romantic pairings this spring movie season, 'Just Wright' tells the fictional story of NBA All-Star Scott McKnight (Common), a big-time player who suffers a crippling injury. A no-nonsense physical therapist, played by Queen Latifah, helps him get back on his feet and falls in love with him during the rehabilitation process. Fortunately, the feeling might be mutual.

In her third directorial effort, Sanaa Hamri has crafted a well-intentioned but cliched romantic comedy about the pratfalls that plague a working relationship that turns into something more. The critics mostly agree that there is not one original idea in this rehashed love-fest. They do point out, though, that Queen Latifah is a breath of fresh air, proving once again she radiates a sweetly effervescent presence on-screen. Paula Patton, Phylicia Rashad and Pam Grier also star.

Read what the critics have to say. Featuring one of the most unexpected romantic pairings this spring movie season, 'Just Wright' tells the fictional story of NBA All-Star Scott McKnight (Common), a big-time player who suffers a crippling injury. A no-nonsense physical therapist, played by Queen Latifah, helps him get back on his feet and falls in love with him during the rehabilitation process. Fortunately, the feeling might be mutual.

In her third directorial effort, Sanaa Hamri has crafted a well-intentioned but cliched romantic comedy about the pratfalls that plague a working relationship that turns into something more. The critics mostly agree that there is not one original idea in this rehashed love-fest. They do point out, though, that Queen Latifah is a breath of fresh air, proving once again she radiates a sweetly effervescent presence on-screen. Paula Patton, Phylicia Rashad and Pam Grier also star.

Here is what the critics have to say.

The Hollywood Reporter: "To put it simply, 'Just Wright' is your basic Cinderella story set against a pro basketball backdrop. The essential problem with this bland Queen Latifah romantic comedy is that it's content to keep it simple. There's nothing in the strictly by-the-numbers plotting, ho-hum pacing or stock characterizations that would allow it to ever truly come to life. That it squanders a terrific cast in the process -- one that also includes Common, Phylicia Rashad and Pam Grier -- makes it all the more disappointing. Being released, curiously, one weekend after a logical Mother's Day target date, it will have to count on drawing the Tyler Perry crowd, but it unlikely will generate Perry numbers."

Time Out New York: "Although it's replete with solid supporting players and even stronger goodwill, 'Just Wright' buckles under the burden of its pure intentions. Too many auxiliary, moralizing plot points and characters are picked up, only to be suddenly dropped. (As the resident moms, Pam 'Coffy' Grier and 'Cosby Show' star Phylicia Rashad are criminally underused.) Common proves surprisingly convincing as a hoops dynamo, though less so when trying to rustle up sexual chemistry with Queen Latifah; their one love scene is notably -- and mercifully -- short. But the real pain is in watching the always-likable Queen stuck in a homegirl version of a 'Cathy' comic."

Slant Magazine: "Go ahead, allow yourself a groan of bored recognition, since Sanaa Hamri's film is conventional to its core. Latifah tones down her sassy routine just enough to keep Leslie's tomboyishness from being grating, and Common, albeit hardly a versatile actor, delivers enough suave cool to prevent the proceedings from drowning in schmaltz. Yet 'Just Wright''s adequate performances don't change the fact that the two stars share no chemistry, and that the story's triumph-of-the-big-girls plot is a fanciful rebuke to VH1's Basketball Wives reality show."

Village Voice: "Another movie, not as awful as this one, might one day find better use for the easygoing vibe between Queen Latifah and Common, the stars of 'Just Wright,' a romantic comedy (for the ladies) with basketball and cameoing NBA players in it (for the fellas). That absolutely no chemistry exists between them as love interests is the first of the many flaws in a film that also demands we believe the New Jersey Nets could become Eastern Conference champions."


Roger Ebert: "One reason people like Queen Latifah is that she likes herself. In most of her roles, she radiates cheer. She can play grim, as in 'Bringing Out the Dead,' but she has a natural sunniness that makes me, at least, feel good. And she is a real woman, not a skinny woman with too many sharp angles. Jennifer Aniston, who looks perfectly great, makes me worry about her self-image when she talks about the baby food diet. Latifah has never been fat. She has always been plus-size. There is a difference. She is healthy, fit, carries herself with confidence, and looks terrific in 'Just Wright' in the kind of clothing a physical therapist might feel comfortable wearing. If you're dragging around feeling low about yourself, you want to know her secret."

Entertainment Weekly: "Don't put on airs, honor your family, pump your own gas: Tyler Perry's 'Madea' would say amen to the code by which Ms. Wright lives. The movie is a rigged game of clichés and platitudes, but fans will be pleased by additional proof that Latifah is a lovable Queen but not a pampered princess. The hoops set can enjoy some courtside action with real pro players. And 'Cosby Show' nostalgists will be happy to see Phylicia Rashad segue from playing Bill Cosby's wife to tsk-tsking as Common's mama."

Chicago Tribune: "You may not believe 'Just Wright,' but romantic comedy is about more interesting matters than plausibility or realism. How does the old song from 'Damn Yankees' go? Miles and miles and miles of heart -- that's the stuff. Add some wit, a relaxed and generous spirit, and some performers who hold the screen without holding it hostage, and there you have it."

]]> 2010-05-13T20:00:00+00:00 http://news.moviefone.com/2010/05/13/just-wright-movie-reviews/ <![CDATA['Mother and Child' Movie Reviews]]> 19464010 Starring three of the most notable female actors working today in Hollywood, Rodrigo Garcia 'Mother and Child' paints a layered, multi-character portrait about the unique, innate bond between mother and child.

The film strings together three different stories that include an older woman, Karen (Annette Bening), who regrets giving up her newborn in her teens, and Elizabeth (Naomi Watts), a cutthroat yet lonely lawyer who was adopted in her youth and still hurts from not knowing her real parents. Kerry Washington plays the third lead in this weepy drama, as an infertile mother striving to adopt a baby. The film eventually becomes an emotional study about the ramifications of giving up a child for adoption.

The male co-stars are Jimmy Smits, Samuel L. Jackson and David Ramsey.

As the showrunner of the critically acclaimed first season of 'In Treatment,' writer-director Garcia has had much success with the critics in TV. Likewise, the critical reception is largely positive for this cinematic effort, with many critics highlighting the film's keen insight into womanhood and the powerful, nuanced performances as its main strengths.

Read what the critics have to say: Starring three of the most notable female actors working today in Hollywood, Rodrigo Garcia 'Mother and Child' paints a layered, multi-character portrait about the unique, innate bond between mother and child.

The film strings together three different stories that include an older woman, Karen (Annette Bening), who regrets giving up her newborn in her teens, and Elizabeth (Naomi Watts), a cutthroat yet lonely lawyer who was adopted in her youth and still hurts from not knowing her real parents. Kerry Washington plays the third lead in this weepy drama, as an infertile mother striving to adopt a baby. The film eventually becomes an emotional study about the ramifications of giving up a child for adoption.

The male co-stars are Jimmy Smits, Samuel L. Jackson and David Ramsey.

As the showrunner of the critically acclaimed first season of 'In Treatment,' writer-director Garcia has had much success with the critics in TV. Likewise, the critical reception is largely positive for this cinematic effort, with many critics highlighting the film's keen insight into womanhood and the powerful, nuanced performances as its main strengths.

Here is what the critics have to say:

Variety: "Garcia's filmmaking is discreet, fluid and straightforward, but the performances jump out by virtue of their nerve and honesty. Watts, so notable for her emotional availability as a performer, has never shown anything near the steeliness of her characterization here, a quality later set off by an extraordinary calm. Bening's performance similarly extends across a huge range with much shading in between as Karen struggles to improve a life dominated by regrets. But perhaps the biggest surprise is Jackson, for the first time in memory playing a regular guy instead of someone extreme, and doing so with unprecedented restraint and deliberation. It would be great to see more of where this comes from."

The Hollywood Reporter: "Writer-director Rodrigo Garcia is a master of multiple narratives whose storylines often crisscross in unexpected ways. He deploys this strategy most effectively in 'Mother and Child,' a happy-sad tale of a mother and daughter, separated at birth, who struggle with the damage done by the most important person missing in their lives. Some may find the film overly schematic, but Garcia smartly uses three parallel narratives to probe the extraordinary nature of motherhood. Like many of Garcia's films, 'Mother and Child' plays very well to adult female audiences. Thanks to a name cast -- his scripts attract major talent -- the film should carve out a niche for itself in specialty venues and on cable television.

Movieline: "A women's picture in a mold that's more and more idiosyncratically his own, with 'Mother and Child' Rodrigo Garcia ('Nine Lives') poses a number of intriguing questions about the nature of maternity, only to obscure them with a gloss that is equal parts sentiment and subtle but specious politics. That he pulls off an involving film anyway is largely a credit to his superb main cast, a trio of interlinked characters played by Annette Bening, Naomi Watts and Kerry Washington. Each grapples in some way with her femininity and its connection to what her womb has either done or failed to do, and while all of these women are types, the actresses dignify them with the emotional force of their performances."
Village Voice: "In a film with several welcome, graceful touches -- in addition to so many remarkable performances, 'Mother and Child' stands out for its colorblind casting and the casualness of its interracial relationships -- García's strenuous avoidance of another reproductive choice disappoints all the more. Though Karen gives birth to Elizabeth in 1973 -- the year Roe v. Wade was decided -- none of the pregnant women, regardless of age or financial security, discuss abortion (one lead character's gynecologist does, sending her into a white-hot rage). The sanctity of the titular connection is real, as are the characters García creates. But in not addressing an option that these women surely must have grappled with, García's laudable film stops short of being great."

New York Magazine: 'Mother and Child' is suffused with grief and loss. It's also suffused with compassion and insight. One of García's earlier films was 'Nine Lives,' in which nine women's stories were poetically compressed, each told in a single long shot. This time, he has three stories that converge, although not in the way you expect. The third protagonist is a young woman (Kerry Washington) who can't have children and undergoes a grueling grilling by a pregnant, seething teenager (Shareeka Epps) to see if she's worthy to adopt the girl's child. The film becomes a tapestry of mother-and-child stories, each child molded by the overbearing presence or absence of its mother, each wondering which is more important: blood or time spent."

Entertainment Weekly: "That's not to say that Annette Bening, Naomi Watts, and Kerry Washington aren't lovely playing women who must deal with the life-altering consequences of adoption. Just that the characters in Rodrigo García's movie never rise above being sample clientele. Bening, in a forceful, barefaced performance, is fiftysomething Karen, who, as a teenager, gave an infant daughter up for adoption and has wept ever since, masking her sadness with a sour, spinster veneer. Watts is Elizabeth, an adoptee in her 30s who has turned the loneliness of having never known her own mother into a sexualized hardness she likes to think of as independence. Young, married, and infertile Lucy, played by Washington, longs for a child of her own. Woe, by the way, unto the good, decent men -- played by Jimmy Smits, Samuel L. Jackson, and David Ramsey -- who cross these women's paths. In the ovarian jungle of 'Mother and Child' each gent is undervalued in his own way."

Slant Magazine: "In Garcia's view of reproductive politics, adoption is a harbinger of misery, a last-ditch option that is only acceptable when the mother dies in childbirth, while abortion remains the film's structuring absence, the word that dare not speak its name. And yet, for all the director's sentimentalization of "traditional" values, he's quite willing to view single motherhood as a legitimate option. (He's also down with mixed-race couples.) After all, a mother raising her own child is just the right thing to do, regardless of circumstances, so the director allows several of the film's women to engage in rewarding instances of single parenthood. It all leads to a round of joyful tears and sappy guitar noodlings, but since these are the expected stuff of the melodrama form, a potentially progressive genre designed to explore the roles of womanhood in a man's world, it's hard to argue on principle with their deployment. It's the ideological service to which Garcia puts these manipulations that makes them so objectionable."]]> 2010-05-06T20:00:00+00:00 http://news.moviefone.com/2010/05/06/mother-and-child-movie-reviews/ <![CDATA['The Human Centipede' Movie Reviews]]> 19456368 A title and concept for the ages, director Tom Six's 'The Human Centipede: First Sequence' may be the scary indie that-could this upcoming, overcrowded theatrical weekend.

In nowhere town Germany, two carefree, road-tripping American girls find themselves in a fairly precarious position as their car breaks down in the middle of the woods. Seeking help, they arrive at the home of an insane, reclusive surgeon. Pretty much chaos takes over from there, and the girls are held victim to the maniacal whims of this crazed man.

For the faint of heart, we won't go into the gruesome details, but just take one look at the outrageous, provocative trailer below and you'll quickly get the idea. Also, be forewarned: Even though this film is not yet rated, it would most likely fall in the hard "R" category.

The critics are mostly embracing "The Human Centipede," with several noting the film's ability to sustain a taut mood and psychological terror -- despite a few too many visually repulsive scenes. Ed Gonzalez of The House Next Door even points out the film's pre-release buzz and its potential as a horror classic, stating: "'The Human Centipede' is already being hailed a cult classic in the making."

Read what the critics have to say: A title and concept for the ages, director Tom Six's 'The Human Centipede: First Sequence' may be the scary indie that-could this upcoming, overcrowded theatrical weekend.

In nowhere town Germany, two carefree, road-tripping American girls find themselves in a fairly precarious position as their car breaks down in the middle of the woods. Seeking help, they arrive at the home of an insane, reclusive surgeon. Pretty much chaos takes over from there, and the girls are held victim to the maniacal whims of this crazed man.

For the faint of heart, we won't go into the gruesome details, but just take one look at the outrageous, provocative trailer below and you'll quickly get the idea. Also, be forewarned: Even though this film is not yet rated, it would most likely fall in the hard "R" category.

The critics are mostly embracing "The Human Centipede," with several noting the film's ability to sustain a taut mood and psychological terror -- despite a few too many visually repulsive scenes. Ed Gonzalez of The House Next Door even points out the film's pre-release buzz and its potential as a horror classic, stating: "'The Human Centipede' is already being hailed a cult classic in the making."

Here's what the rest of the critics have to say:

Entertainment Weekly: "Much of the film's 'entertainment value' rests on the sadistically outlandish performance of Dieter Laser, who's like Boris Karloff starring in a movie by Rainer Werner Fassbinder. The film itself, as staged by Dutch director Tom Six, is a fairly crafty piece of over-the-top suspense. By showing exactly what it promises to show, it lets us peer into a B-movie abyss. But unlike its obvious influence, the 1999 Japanese shocker 'Audition,' 'The Human Centipede' has no real-world echoes. It's an only-in-the-movies sick goof."

Village Voice: "In fact, 'The Human Centipede' is startlingly relatable: Six uses the centipede to talk about humanity. In the tradition of the first 'Frankenstein' films, various contemporary 'advanced interrogation techniques,' and certain interpretations of Catholic purgatory, 'Centipede' plays on the notion that the only thing more frightening than death is a state bridging life and death, in which, though one's body is no longer his own to control, the mind remains conscious. In Six's view, the moral imperative to preserve life only goes so far -- eventually, death is a relief."

New York Magazine: "If you grew up loving horror and exploitation films, torture porn poses certain dilemmas -- because what attracted us in the first place was the flouting of taboos. We believe in the idea of 'transgressive' art, right? Well ... I'm not sure I want to live in a world that would embrace this particular monstrosity, a clinical, detached portrait of a German sadist who performs experiments on two women and a man, removing parts of jaws and knees, sewing mouths onto anuses, and running a digestive tube ... never mind. The director forces into our mouths what he forces into the mouths of his female characters. The movie stinks to heaven."

'The Human Centipede: First Sequence' Trailer

Slant Magazine: "An astonishingly gross cinematic chimera, 'Human Centipede' is a Frankeinsteinian hybrid of Takashi Miike's sense of humor, David Cronenberg's skill at provocation, and a bit of 'Ilsa, She Wolf of the S.S.' S&M fantasies too, just to keep you on your toes. Six is to be commended for making something this brutal and delightfully freakish stay as thoroughly disturbing for as long as it does. In his determination to throw his viewer for a loop for as long as possible and keep them straining against the film's playfully drawn-out series of confrontations, Six has created something new, unsettlingly crude, and strangely arresting. And he did it all without the pretense of making a political statement. Eli who? Unlike 'Hostel,' a film that likewise takes heavy cues from Miike's films, 'Human Centipede' is able to keep the viewer off-balance, from start to finish, a feat that not even Miike has ever really been able to accomplish."

Boxoffice Magazine: "Mind you, it's masterfully handled. Like the doctor himself, writer-director Tom Six knows how to splice his work together. The first half is excruciatingly tense. A brief escape from Heiter's basement laboratory is mercilessly well paced. And Dieter Laser is a find: he's got such an alien presence, he makes Christopher Walken look like Justin Bieber. He moves like a predatory eagle, utterly unruffled by pain. You can't take your eyes off of him, even when he's whipping his creation and ordering Katsuro to 'Feed her! Feed her!' (Imagine that.) But part of his allure is misdirection: you don't want to look at the human centipede for long and what else is there onscreen? And after the shock wears off (okay, it never wears off that much) there's nothing to see but two sets of cheeks slashed and stitched into a joker's smile and three pairs of screaming eyes."

Time Out New York: "Our auteur is Dutch writer, director and ding-a-ling Tom Six who, as the title hints, hopes to extend his food chain even further in a sequel. He'd be better off learning some craft. Or maybe not: Though the movie has less social significance than a 'Saw' installment, its foreign sheen (and an arrestingly loco central performance by Dieter Laser) has landed it a berth at IFC Center, where arty viewers generally line up to see 'Vincere' or 'Summer Hours' (Is a Criterion DVD far behind?) That's actually the most interesting aspect of this unsatisfying little nothing of a movie, which displays the distribution game at its most cynical."

]]> 2010-04-29T18:00:00+00:00 http://news.moviefone.com/2010/04/29/the-human-centipede-movie-reviews/ <![CDATA['The Losers' Movie Reviews]]> 19447263 Based on the 1970s DC Comics book of the same name, 'The Losers' chronicles a death-defying, rag-tag team of ex-mercenaries as they're sent on a black ops mission into the Bolivian jungle. When they refuse to carry out the asinine orders to kill a pack of child drug mules, the CIA betrays them and tries to hunt them down. Presumed dead, this out-for-revenge, gun-toting group come together with the sultry, deceptive Aisha (Zoe Saldana) to seek out Max (Jason Patric,) the evil-doer behind this double-dealing madness.

Set in modern times with a slightly biting nod to the previous administration's questionable war motives abroad, director Sylvain White's high-on-explosives popcorn film looks like just another bomb -- well, if the critics had their way. The overall consensus seems to be that the ultra-violent picture is pretty vacuous, though some point out its humor and Saldana's combat skills and screen presence as major assets.

Read what the critics have to say: Based on the 1970s DC Comics book of the same name, 'The Losers' chronicles a death-defying, rag-tag team of ex-mercenaries as they're sent on a black ops mission into the Bolivian jungle. When they refuse to carry out the asinine orders to kill a pack of child drug mules, the CIA betrays them and tries to hunt them down. Presumed dead, this out-for-revenge, gun-toting group come together with the sultry, deceptive Aisha (Zoe Saldana) to seek out Max (Jason Patric,) the evil-doer behind this double-dealing madness.

Set in modern times with a slightly biting nod to the previous administration's questionable war motives abroad, director Sylvain White's high-on-explosives popcorn film looks like just another bomb -- well, if the critics had their way. The overall consensus seems to be that the ultra-violent picture is pretty vacuous, though some point out its humor and Saldana's combat skills and screen presence as major assets.

Here's what the critics have to say:

The Hollywood Reporter: "'The Losers' is a cartoonish nonstop action movie in which characters zip around the world, breaking, entering and blowing things up without any pretense to logic. It's a world devoid of any geopolitics, connective tissue, human backgrounds or ideals other than greed and self-preservation. It is, of course, a Warner Bros. actioner adapted from a comic book series. Characters are two-dimensional, but the actors all play them with vigor, each focusing on a single outstanding feature of his character, so their interplay within the bullet-splattering sequences has resonance."

Chicago Tribune: "With the help of a butt-kicking, butt-waving colleague (Saldana), that's what they do and that's what 'The Losers' delivers. Director Sylvain White ('Stomp the Yard') doesn't edit action scenes so much as turn each micro-beat into a trading card with a fireball in the background. For all its insidious slickness -- the deeply saturated, massively bright imagery comes courtesy of cinematographer Scott Kevan -- the film is easier to take than, say, 'Kick-Ass' or 'V for Vendetta,' both of which came to the screen saddled with misguided pretensions. No pretensions here."

Roger Ebert: "'The Losers' knows what it's doing and how to do it. Sylvain White doesn't have a lot of credits but he knows how to direct and not trip over his own feet. The movie gets the job done, and the actors show a lot of confidence in occupying that tricky middle ground between controlled satire and comic overkill. It's fun. I noted that Zoe Saldana is beautiful. I noted something else. In keeping with the current popularity of cafe au lait complexions, the movie uses lighting and filters to bathe the romantic scenes in a kind of golden glow, so that Saldana and (Jeffrey Dean) Morgan come out looking about the same. We're no longer making people of color look whiter in the movies; we're tinting people of whiteness. Time marches on."

'The Losers' trailer


Village Voice: "And then there's Zoe Saldana who -- as Uhura in 'Star Trek' and Neytiri in 'Avatar' -- showed herself to have relatively good taste in blockbusters. It fails her here, and her character, an Agency asset named Aisha, is a disaster, especially compared to the Aisha that Diggle dreamed up for his comics series. I'm not one to demand that comic-book movies remain utterly faithful to their source material; such unyielding fealty sure didn't do 'Watchman' any favors. ... But it would be nice if full-scale character rewrites made characters better, not lamer. In the comic, Aisha is intimidating, complicated, and spooky, a native Afghan whose childhood battles with Soviet soldiers gave her a taste for blood. In the movie? She's a sexpot who wears red leather pants (or, during shootouts, her underwear). The comics' biz has always written oversexualized, underdeveloped female characters. In 'The Losers,' Hollywood manages to out-comic the comics."

Slant Magazine: "The film's Max is just a generic Bond villain, proudly wearing an American flag pin on the lapel of his pin-stripe suit while shooting a lackey for momentarily jostling his umbrella. Unlike in the comics, Max isn't interested in oil or the Middle East anymore, nor is Aisha an angry Muslim woman (possibly the new generic iteration of the "mad black woman" stereotype?) who wants to hurt him, being the white imperialist scumbag he is. The movie's Max just wants to start a war, presumably so he can profit from it instead of using the chaos to take over the world.

Time Out New York: "Boo-hoo for these 'losers.' Here are some of the cool things they do: They fire large, exotic, presumably illegal weapons off the tops of city buildings. They flirt with sinewy Zoe Saldana, who, between her updated Uhura in 'Star Trek' and Na'vi princess in 'Avatar,' has hit the nerd sweet spot. And, most enviably, they exist in a world where they don't have to watch 'The Losers' -- and weep for the vanilla trashiness that dominates our mainstream"

]]> 2010-04-22T22:00:00+00:00 http://news.moviefone.com/2010/04/22/the-losers-movie-reviews/ <![CDATA[Zach Galifianakis to Star in 'Miracle Workers']]> 19373849 Hot on the heels of his recently announced SNL hosting gig comes the news of another project in the works for the highly in-demand, wildly funny Zach Galifianakis.

Shock Till You Drop spoke with 'The Crazies' producer Michael Aguilar about his next film in development, 'Miracle Workers.' Aguilar revealed that Galifianakis has signed on to the supernatural comedy about two buds who set up shop as faux exorcists in order to make a buck, but soon get in over their heads; presumably, frightful high jinks ensue. Hot on the heels of his recently announced SNL hosting gig comes the news of another project in the works for the highly in-demand, wildly funny Zach Galifianakis.

Shock Till You Drop spoke with 'The Crazies' producer Michael Aguilar about his next film in development, 'Miracle Workers.' Aguilar revealed that Galifianakis has signed on to the supernatural comedy about two buds who set up shop as faux exorcists in order to make a buck, but soon get in over their heads; presumably, frightful high jinks ensue.

Shock Til You Drop also points out that Galifianakis is no stranger to ghoulish flicks, having co-starred in David Twohy's 2002 haunted submarine picture, 'Below.' The role of Weird Wally in that film was not exactly a stretch for the zany comic actor, but it did lay the groundwork for his future eccentric characters, like the hilariously erratic Alan from 'The Hangover.'

Details of 'Miracles Workers' are otherwise hush-hush, and still developing, but an announcement of a director is expected soon.

The Aguilar-produced 'The Crazies' hits theaters Friday.]]> 2010-02-25T15:57:00+00:00 http://news.moviefone.com/2010/02/25/zach-galifianakis-to-star-in-miracle-workers/ <![CDATA['Percy Jackson & the Olympians: The Lightning Thief' Movie Reviews]]> 19351416 Based on Rick Riordan's 2005 best-selling children's novel, Chris Columbus's 'Percy Jackson & the Olympians: The Lightning Thief' follows the daily struggles of Percy Jackson, a dyslexic teenage boy who loves holding his breath under water for long periods of time.

Percy soon discovers, though, that his world may not be what it seemed; he might actually be the son of Poseidon, the mythic Greek god of the seas. When he is accused of stealing Zeus's iconic lightning bolt, Percy sets out on an 'Odyssey'-like adventure to expose the real thief and retrieve his emotionally wrecked mother (who suspiciously vanished) from Hades.

Playing Percy is Logan Lerman, who you might recognize from the acclaimed, short-lived TV series 'Jack & Bobby'; the always reliable, Oscar-nominated actress Catherine Keener stars as his mother. Uma Thurman also pops up as a playfully wicked Medusa, while Pierce Brosnan has a noteworthy role as the paraplegic Mr. Brunner, Percy's teacher who is really half-man, half-horse.

Clearly marketed to the 'Harry Potter' crowd, 'The Lightning Thief' hopes to make bank this weekend sandwiched between more adult-fare like 'Valentine's Day' and 'The Wolfman.' Surprisingly, the critics have mostly been kind to this adventure-fantasy film, with mixed-to-positive reviews; but all agree that Percy Jackson is no Potter. Michael Phillips of the Chicago Tribune even points out that director Columbus might be off his game since his 'Potter' days: "Columbus' casting instincts have let him down here a bit (he certainly got that right with the 'Harry Potter' films)."

Take a look at what the rest of the critics have to say: Based on Rick Riordan's 2005 best-selling children's novel, Chris Columbus's 'Percy Jackson & the Olympians: The Lightning Thief' follows the daily struggles of Percy Jackson, a dyslexic teenage boy who loves holding his breath under water for long periods of time.

Percy soon discovers, though, that his world may not be what it seemed; he might actually be the son of Poseidon, the mythic Greek god of the seas. When he is accused of stealing Zeus's iconic lightning bolt, Percy sets out on an 'Odyssey'-like adventure to expose the real thief and retrieve his emotionally wrecked mother (who suspiciously vanished) from Hades.

Playing Percy is Logan Lerman, who you might recognize from the acclaimed, short-lived TV series 'Jack & Bobby'; the always reliable, Oscar-nominated actress Catherine Keener stars as his mother. Uma Thurman also pops up as a playfully wicked Medusa, while Pierce Brosnan has a noteworthy role as the paraplegic Mr. Brunner, Percy's teacher who is really half-man, half-horse.

Clearly marketed to the 'Harry Potter' crowd, 'The Lightning Thief' hopes to make bank this weekend sandwiched between more adult-fare like 'Valentine's Day' and 'The Wolfman.' Surprisingly, the critics have mostly been kind to this adventure-fantasy film, with mixed-to-positive reviews; but all agree that Percy Jackson is no Potter. Michael Phillips of the Chicago Tribune even points out that director Columbus might be off his game since his 'Potter' days: "Columbus' casting instincts have let him down here a bit (he certainly got that right with the 'Harry Potter' films)."

Take a look at what the rest of the critics have to say:

Roger Ebert: "Director Chris Columbus has fun with this goofy premise, but as always I am distracted by the practical aspects of the story. Does it bother the Greek gods that no one any longer knows or cares that they rule the world? What are the genetic implications of human/god interbreeding? And, forgive me, I'll have to double back to Sally Jackson, Percy's mother. How did she meet Poseidon? At the beach, I suppose. Did he reveal his true identity? If a guy picks you up at the beach and says he's Poseidon, do you say, fine, let's not date, let's just mate? Then when the bastard dumps you and disappears, leaving you pregnant, what way is that for a god to behave?"

Chicago Tribune: "Now Columbus has taken on 'The Lightning Thief,' a fantasy construct in which Greek gods threaten war in modern-day America over Zeus' missing lightning bolt. The books are very big in our house right now: My son (who enjoyed the film more than I did) just started No. 3. I can see why Riordan's series has so many fans. The first book is pace-y as all get-out, chockablock with exotic dangers -- if it's not Medusa, it's the Lord of the Underworld or the Furies -- and in 'The Lightning Thief,' the young hero, Percy, played in the film by Logan Lerman, must confront his true nature as a half-blood son of the sea god Poseidon."

The Hollywood Reporter: "So has 'Percy Jackson' successfully cracked the 'Potter' code? In terms of overall quality, not even close. Still, the film's carefully calibrated mixture of CGI-enhanced spectacle, diverting (and blood-free) action sequences and adolescent angst could make it a modest hit with the 8-12-year-old set. Where Harry's exploits attract audiences of all ages, though, Percy's appeal seems strictly limited to the family moviegoing crowd; anyone outside of that demo is better off waiting for part one of 'Harry Potter and the Deathly Hallows,' due in theaters in November."

'Percy Jackson & the Olympians: The Lightning Thief' Trailer


San Francisco Chronicle: "Director Columbus meanders from episode to episode, from Percy in Rocky Balboa training mode under the guidance of centaur Brosnan, to a Vegas layover where our threesome of heroes are lulled into limbo among the lotus eaters, to the fiery furnace of hell (location, just below Hollywood) and the heights of Olympus (location, just above the Empire State Building). The fight sequences are OK, the generous helping of computer-generated imagery is fine, the wisecracking camaraderie among Percy, Grover and Annabeth is passable, though they're no match for Harry, Ron and Hermione in the 'Potter' adventures."

Slant Magazine: 'Harry Potter' knockoffs don't come more transparent and slapdash than 'Percy Jackson & the Olympians: The Lightning Thief',' a wannabe-franchise jumpstarter directed by Chris Columbus with the same flat, crane-shot-obsessed aesthetic blandness that he brought to his first two 'Potter' movie adaptations. Aping J.K. Rowling's saga every step of the way to Mount Olympus, the film (based on Rick Riordan's popular kids-lit series) concerns high-schooler Percy (Logan Lerman), who suddenly discovers not only that he's the demigod son of Poseidon (Kevin McKidd), but that he's been accused by Zeus (Sean Bean) of stealing his lightning bolt. Why Zeus suspects Percy rather than the child of any other god is never explained, but such an early, gaping plot hole is in keeping with the subsequent incoherent action.

Time Out New York: "That Percy risks life and limb to preserve the family unit is typical Columbus, and the film works best when playing on the idea that no amount of bravado is enough to mask our desire for parental love. Yet it's not enough to compensate for the computer-game-style plotting, which relies on us to pick up narrative nuggets that mechanically slot in like puzzle pieces later on. And then there's the rampant product placement: Apparently, if you're locked in a life-or-death struggle with Medusa (Thurman), you can avoid her deathly gaze by using an iPod's shiny backside as a mirror."

Arizona Republic: "It's temping to think about 'Percy Jackson & the Olympians: The Lightning Thief' in terms of what it's not. Most obviously, it's not 'Harry Potter' (though it's directed by Chris Columbus, who directed the first two movies in that franchise). The 'Potter' films have gotten more complex as the story goes on (and as they've moved to different directors). Here, we're at the starting point.Then there's the star. Logan Lerman, the Percy of the title, is not Zac Efron despite a remarkable resemblance, both physically and in the way he carries himself. Whatever star presence Efron possesses --among a certain age group, it's considerable -- Lerman seems more than willing to ride its coattails."

Will you go see 'Percy Jackson & the Olympians: The Lightning Thief' based on the reviews?
Yes227 (81.4%)
No52 (18.6%)
]]> 2010-02-11T21:00:00+00:00 http://news.moviefone.com/2010/02/11/percy-jackson-and-the-olympians-the-lightning-thief-reviews/ <![CDATA[New 'Spider-Man' Movie to Swing in 3D]]> 19352896 The 3D trend continues today with news that the next 'Spider-Man' movie will fly into theaters like never before.

According to the Hollywood Reporter, the now-untitled project will be shown in 3D theaters across the country, with a release date now set for July 3, 2012.

Casting for the movie is still ongoing, although we do know that the expected reboot will not star Tobey Maguire, who played Peter Parker in the first three movies. The 3D trend continues today with news that the next 'Spider-Man' movie will fly into theaters like never before.

According to the Hollywood Reporter, the now-untitled project will be shown in 3D theaters across the country, with a release date now set for July 3, 2012.

Casting for the movie is still ongoing, although we do know that the expected reboot will not star Tobey Maguire, who played Peter Parker in the first three movies.

In the meantime, '(500) Days of Summer' helmer Marc Webb has been tapped to direct the blockbuster-in-waiting. James Vanderbilt of 'Zodiac' will write the script, with Avi Arad and Laura Ziskin set to produce.

Tell us: Will you go see 'Spider-Man' in 3D?]]> 2010-02-10T15:45:00+00:00 http://news.moviefone.com/2010/02/10/new-spider-man-movie-to-swing-in-3d/ <![CDATA[Oscar-Nominated Shorts Head to Theaters]]> 19340551 Tuesday morning's much-anticipated announcement of the 2010 Oscar nominations will make 10 short-filmmakers very happy.

The enviable animated and live-action short film directors will not only have a shot at winning the industry's most prestigious award, they will have a guaranteed theatrical release by Magnolia Pictures and Shorts International.

Beginning Feb. 19, the two distributors will partner to release the Oscar-nominated short films into a limited number of theaters, expanding to 100 cities in the following weeks; you'll even be able to find the short film program screening in Canada and the U.K. Tuesday morning's much-anticipated announcement of the 2010 Oscar nominations will make 10 short-filmmakers very happy.

The enviable animated and live-action short film directors will not only have a shot at winning the industry's most prestigious award, they will have a guaranteed theatrical release by Magnolia Pictures and Shorts International.

Beginning Feb. 19, the two distributors will partner to release the Oscar-nominated short films into a limited number of theaters, expanding to 100 cities in the following weeks; you'll even be able to find the short film program screening in Canada and the U.K.

A website listing the shorts and the participating theaters will launch Friday.

The theatrical release of the Academy Award-nominated shorts has met with enthusiastic audiences ever since their launch five years ago, giving audiences around the world an opportunity to see the nominated films prior to the Academy Awards ceremonies. The series' popularity has charted a spectacular 289 percent increase in attendance at the domestic box office since its inception in 2005, breaking the record last year for the highest gross ever on a single screen at New York's IFC Center.

"These short films prove the continued relevance of the short film category with a formidable line-up of varied productions from around the world." said Carter Pilcher, chief executive of Shorts International. "These filmmakers represent filmmaking talent of the future and we are thrilled to be introducing them to the marketplace."

"It's the only program of its kind, making Oscar-nominated short films available to the public before the awards," said Tom Quinn, senior vice president of Magnolia Pictures. "If audiences are interested in improving their handicap come Oscar night, this is the best way to get a head start."

The 82nd Annual Academy Awards, hosted by Steve Martin and Alex Baldwin, will air live on ABC from the Kodak Theatre in Hollywood on Sunday, March 7.]]> 2010-02-01T17:33:00+00:00 http://news.moviefone.com/2010/02/01/oscar-nominated-shorts-head-to-theaters/ <![CDATA['Edge of Darkness' Movie Reviews]]> 19332782 After a 6-year disappearing act from motion pictures, Mel Gibson is back.

Given the reviews so far, though, it might not be such a welcome return, as the critics are mostly split on his recent comeback (How many has he had?), the bad-ass, "take no names" thriller 'Edge of Darkness,' directed by 'Casino Royale' helmer Martin Campbell.
Adapted to the screen from Campbell's own 1985 BBC miniseries, 'Edge of Darkness' is about a widowed cop who sadly witnesses the murder of his daughter; Gibson sets off on an investigation into the killer's identity, exposing corruption and villainous agendas along the way.

Take a look at what the critics have to say: After a 6-year disappearing act from motion pictures, Mel Gibson is back.

Given the reviews so far, though, it might not be such a welcome return, as the critics are mostly split on his recent comeback (How many has he had?), the bad-ass, "take no names" thriller 'Edge of Darkness,' directed by 'Casino Royale' helmer Martin Campbell.
Adapted to the screen from Campbell's own 1985 BBC miniseries, 'Edge of Darkness' is about a widowed cop who sadly witnesses the murder of his daughter; Gibson sets off on an investigation into the killer's identity, exposing corruption and villainous agendas along the way.

Take a look at what the critics have to say:

Roger Ebert: "I explain this not merely to avoid discussing the off-the-shelf thriller plot, but to illustrate that 'Edge of Darkness,' like so many recent thrillers, has no ambition to be taken seriously. If the corporation were more realistic, the movie would be, too. And then the fate of the world wouldn't depend yet once again on One Cop ... With Nothing to Lose ... On a Personal Mission ... Gibson is a credible, attractive hero, as he has always been, so if you want fast-food action, here's your movie."

Entertainment Weekly: "'Edge of Darkness' has nervous whistle-blowers, sleazy politicians out to protect their puppeteers, and hitmen who drive an anonymous black van that might as well be marked ''The Hitmen's Anonymous Black Van.' ... What the film doesn't have is a political revelation we give a fig about. The more that 'Edge of Darkness' reveals about the Corruption of America, the less it seems like anything but a conspiracy-of-the-week excuse to get Mel Gibson hot under the collar. His slow-burn fury keeps the movie going, but not enough to invest us in any justice beyond payback."

Village Voice: "Gibson has been absent from the American screen since 2004. He's squandered his industry clout with risks both planned ('The Passion of the Christ') and, assumedly, not (the passion for conspiracy theory). One wonders -- certainly Warner Bros. suits will -- if off-screen events have made it impossible for audiences to swallow him as a character. Yet Gibson still knows what he does best, as a star should, and creates tension just from never letting the tears poised in his eyes fall. Onscreen much of the time, thicker and more creased than you remember, he can make this rather unshapely movie seem taut."

'Edge of Darkness' trailer

The Hollywood Reporter: "Although it has retained much of its grit and intrigue, bringing the original Troy Kennedy Martin script up to speed from its original mid-'80s nuclear-arms race context is another matter. Their attempts to update the political agenda result in a scenario that comes off a tad far-fetched where its villains are concerned. But in between the two 'Edge of Darkness' assignments, director Campbell did a couple of Bond pictures -- most notably 'Casino Royale' -- and that raw, sinewy energy comes very much into play here."

Slant Magazine: "The transfer to a featureless, present-day Boston works none of the magic it did for writer William Monahan's 'The Departed,' given the absence of colorful locals like Alec Baldwin's crotch-grabbing hedonist, as well as the aggressive whittling of a formerly big-canvas drama to one with a handful of principals and the failure to exploit a ready-made Irish-Catholic guilt motif."

New York Observer: "Based on a silly 1985 BBC TV series that tried to terrify England about the threat of Russia's nuclear policy, and updated by a number of people who worked on Martin Scorsese's Boston cop drama 'The Departed' (including screenwriter William Monahan), 'Edge of Darkness' is again set in the city of tea parties and baked beans, but there is nothing revolutionary or tasty about it. Mr. Gibson, who is growing facial lines like lichens, plays Tom Craven, a tough, widowed Boston detective with a 24-year-old daughter named Emma who works for a top-secret government corporation called Northmoor that makes illegal nuclear weapons under the heading of classified priority stuff, weapons that might be sold to all the wrong people, like Osama Bin Laden."

Chicago Tribune: "This is really two films. There's the Gibson slaughter fest, which we have seen before. And there's the other film, the one more like the miniseries. Director Martin Campbell, who did such wonderful work on the recent James Bond reboot 'Casino Royale' cannot linger long over any one cloak-of-darkness meeting the way he did when he had six-plus hours. He probably should have excised a father/daughter dream sequence or two. But by letting Winstone's ambiguous middle man share and, in fact, steal scenes from Gibson (it's scripted that way), 'Edge of Darkness' hangs in there and fleshes out its '70s-style symphony of paranoia."

Based on the reviews, will you put up the money to see Mel Gibson's return to the silver screen?
Yes 198 (83.9%)
No38 (16.1%)
]]> 2010-01-28T20:00:00+00:00 http://news.moviefone.com/2010/01/28/edge-of-darkness-movie-reviews/ <![CDATA[Warner Bros. May Work 3D Magic on 'Harry Potter and the Deathly Hallows']]> 19332405 Harry Potter, our favorite angst-ridden teenage wizard, will soon becoming to a 3D theater near you.

No official announcement has been made; however, Heat Vision reports that the 'Harry Potter' distributor Warner Bros. is hoping to reap the gargantuan -- and still increasing -- worldwide success of 'Avatar' by converting the upcoming 'Harry Potter and the Deathly Hallows: Part I' and 'Part II' into 3D.

This 3D-talk first begin at Warner during the process of converting its Sam Worthington vehicle, and blockbuster-in-waiting, 'Clash of the Titans,' which enters theaters on Apr. 2 (more on that here). Harry Potter, our favorite angst-ridden teenage wizard, will soon becoming to a 3D theater near you.

No official announcement has been made; however, Heat Vision reports that the 'Harry Potter' distributor Warner Bros. is hoping to reap the gargantuan -- and still increasing -- worldwide success of 'Avatar' by converting the upcoming 'Harry Potter and the Deathly Hallows: Part I' and 'Part II' into 3D.

This 3D-talk first begin at Warner during the process of converting its Sam Worthington vehicle, and blockbuster-in-waiting, 'Clash of the Titans,' which enters theaters on Apr. 2 (more on that here).

Transferring 'Titans' to 3D proved much cheaper than the distributor had expected, and now plans are underway to convert its wizard-franchise's next installments into 3D. The price tag to convert each pic is now at $5 million, which Warner hopes to make back with the increase in ticket prices for IMAX 3D screens.

'Harry Potter and the Deathly Hallows: Part 1' will be released on Nov. 19; 'Part 2' is slated for a July 15, 2011 release.

Tell us: Will you put up the extra bucks to see Harry Potter in 3D?


On Aol. TV: Sexiest Sci-Fi Women
]]> 2010-01-26T16:00:00+00:00 http://news.moviefone.com/2010/01/26/harry-potter-and-the-deathly-hallows-3d/ <![CDATA[New 'Jurassic Park' Trilogy on the Way]]> 19320139 It seems like the reboot is here to stay.

In an interview with BoxOffice.com, 'Jurassic Park III' filmmaker Joe Johnston broke news about the possible upcoming sequels/reboots of 'Jurassic Park.' "Well, there is going to be a 'Jurassic Park IV,'" Johnston said. "And it's going to be unlike anything you've seen. It breaks away from the first three -- it's essentially the beginning of the second 'Jurassic Park' trilogy."

This news about another sequel or reboot is not at all surprising in Hollywood these days. With the recent decision by Sony to reboot the 'Spider Man' franchise and start anew, Hollywood is figuring out ways to keep several, run-out-of-steam film series afloat. Johnson also made it clear that the sequel trilogy would be a departure from the first three 'Jurassic': "It's going to be done in a completely different way," he said. "That's pretty much all I can tell you." It seems like the reboot is here to stay.

In an interview with BoxOffice.com, 'Jurassic Park III' filmmaker Joe Johnston broke news about the possible upcoming sequels/reboots of 'Jurassic Park.' "Well, there is going to be a 'Jurassic Park IV,'" Johnston said. "And it's going to be unlike anything you've seen. It breaks away from the first three -- it's essentially the beginning of the second 'Jurassic Park' trilogy."

This news about another sequel or reboot is not at all surprising in Hollywood these days. With the recent decision by Sony to reboot the 'Spider Man' franchise and start anew, Hollywood is figuring out ways to keep several, run-out-of-steam film series afloat. Johnson also made it clear that the sequel trilogy would be a departure from the first three 'Jurassic': "It's going to be done in a completely different way," he said. "That's pretty much all I can tell you."

Please, Hollywood, no more sequels after this one. Look at the success of 'Avatar,' or even 'District 9'; both highly original, epic sci-fi adventure films that proved to break box-office records.

Are you looking forward to another sequel of 'Jurassic Park'?]]> 2010-01-17T20:00:00+00:00 http://news.moviefone.com/2010/01/17/new-jurassic-park-trilogy/ <![CDATA[Can 'Daybreakers' Inject Some New Blood Into the Undead Genre?]]> 19306036 In the past few years, the vampire film has been in the forefront of our cultural zeitgeist.

With popular, blood-sucking fare like the 'Twilight' films and the top-rated HBO show 'True Blood' heating up your movie and TV screens, one might think that the genre has reached its zenith and that the trend might be on its last legs -- or, more appropriately, has been sucked dry.

Swooping into theaters Friday is 'Daybreakers,' a vampire movie highly touted by fan-boy sites like Cinematical and CHUD as a "smarter, more refreshing take on the vampire genre" and "unique," respectively. The premise of the film is quite simple: Vampires take over as the dominant species in the year 2019, with humans now on the run, fearing that they will be relocated to high-tech, blood-draining farms by the vamps. In the past few years, the vampire film has been in the forefront of our cultural zeitgeist.

With popular, blood-sucking fare like the 'Twilight' films and the top-rated HBO show 'True Blood' heating up your movie and TV screens, one might think that the genre has reached its zenith and that the trend might be on its last legs -- or, more appropriately, has been sucked dry.

Swooping into theaters Friday is 'Daybreakers,' a vampire movie highly touted by fan-boy sites like Cinematical and CHUD as a "smarter, more refreshing take on the vampire genre" and "unique," respectively. The premise of the film is quite simple: Vampires take over as the dominant species in the year 2019, with humans now on the run, fearing that they will be relocated to high-tech, blood-draining farms by the vamps.

What is truly nifty about this playful reversal on the vampire story line is the attention to details in creating a wholly constructed vampire-run world: completely covered, sleek black cars with peripheral video systems; blood packs as the new milk carton; talking alarm clocks that tell you when the sun is about to rise; etc.

But is the film that inventive and well-executed?

After catching the film at a press screening, I can say this: 'Daybreakers' is without a doubt a refreshing concept, but in no way is it a game-changer, like, say 'Let The Right One In' proved to be when it hit theaters in 2008 -- creating a surprisingly realistic yet disquieting world surrounding a vampire character.

The welcome difference is in the film's attempt to capture a unique world solely built by and for vampires; and, thankfully, it lacks any romance; I'm sick of seeing another blood-thirsty beau like 'Twilight's Edward harmlessly lusting after a human girl like Bella. It's a tired motif, and with 'Eclipse' just around the corner and 'Breaking Dawn' in development, the not-so-Twihards are in need of a reprieve at the theater.

Watch the 'Daybreakers' Trailer:


Of course, the actual conceit of 'Daybreakers' may not be entirely novel. There are clearly echoes of the 'Blade' films (with a little bit of 'Matrix' thrown in) in the premise of a struggling vampire population living off harvested human fodder. Also, the bulk of the dialogue lands more on the side of campy one-liners ("F*** it, let's have a barbecue."), and directors Peter and Michael Spierig are ill-equipped when it comes to building and sustaining heart-thumping moods, choosing to use cheap scares and thrills (such as using screaming bats as jarring wipes) in order to quickly jolt the audience. The effect is more comic book than horrifying thriller.

On the imaginative concept alone, vampire fans should eat up this cheeseball scare-fest. Movie buffs, on the other hand, might want to check out 1987's 'Near Dark' for a more genuine, vamp-tastic experience; it was current Oscar-front-runner Kathryn Bigelow's marvelously electrifying, moody ode to the ever-present genre.]]> 2010-01-07T16:32:00+00:00 http://news.moviefone.com/2010/01/07/can-daybreakers-inject-some-new-blood-into-the-undead-genre/ <![CDATA['Leap Year' Movie Reviews]]> 19302421 Starring Amy Adams and Matthew Goode, 'Leap Year' hopes to be that sweet Irish trifle during an otherwise wretched month of studio programming.

In the film, Adams plays a hopelessly romantic Manhattanite waiting for her upper-class, cardiologist boyfriend (Adam Scott) to propose. When he doesn't get down on one knee, she decides to follow him to Ireland to propose marriage on Leap day, a supposed Irish tradition where a woman can propose to a man on Feb 29.

Her journey to Dublin doesn't end up exactly how she had planned, as a handsome Irish bloke (Matthew Goode) turns out to be a lot more than just a feisty pub-owner and sometimes cab-driver.

With a measly 17 percent rating at Rotten Tomatoes, the critics have mostly not warmed to this winter romantic comedy. Roger Ebert points out, though, that the two leads -- Adams and Goode -- have the necessary "buoyancy" to keep this film from completely sinking. Here's a selection of 'Leap Year' reviews. Starring Amy Adams and Matthew Goode, 'Leap Year' hopes to be that sweet Irish trifle during an otherwise wretched month of studio programming.

In the film, Adams plays a hopelessly romantic Manhattanite waiting for her upper-class, cardiologist boyfriend (Adam Scott) to propose. When he doesn't get down on one knee, she decides to follow him to Ireland to propose marriage on Leap day, a supposed Irish tradition where a woman can propose to a man on Feb 29.

Her journey to Dublin doesn't end up exactly how she had planned, as a handsome Irish bloke (Matthew Goode) turns out to be a lot more than just a feisty pub-owner and sometimes cab-driver.

With a measly 17 percent rating at Rotten Tomatoes, the critics have mostly not warmed to this winter romantic comedy. Roger Ebert points out, though, that the two leads -- Adams and Goode -- have the necessary "buoyancy" to keep this film from completely sinking. Here's a selection of 'Leap Year' reviews.

Chicago Tribune: "Again, we have a brittle Type-A female protagonist (Adams, as Anna) who must be brought down to earth (i.e., humiliated in various, artlessly staged slapsticky ways -- director Anand Tucker has no gift for physical comedy) and wised up by the man she's clearly destined to find. He is an Irish pub owner nursing a broken heart, played by Goode. And as he's so much more sympathetic and charming than the man she's with at the moment (Adam Scott, playing the cardiologist boyfriend), the movie's conflict is nonexistent."

Chicago Sun-Times: "Amy Adams and Matthew Goode sell it with great negative chemistry and appeal. Adams has an ability to make things seem fresh and new; everything seems to be happening to her for the first time, and she has a particularly innocent sincerity that's convincing. Goode is wisely not made too handsome. Oh, you could shoot him as handsome; he's good-looking, let's face it. But the director, Anand Tucker, shoots him as annoyed, rude and scruffy. Hair not too well combed."

Entertainment Weekly: "Tucker keeps the emerald travelogue images crisp and clean and the emotions modest, so that the entire movie hinges, more or less, on the charming/ cantankerous love-hate tangles of its dueling stars. If the young Ann-Margret had been allowed to wiggle her brain as much as her bod, she might have come off something like Amy Adams. Is there an actress today who can suffuse a single scene with so many infectious mood swings? As Anna, she's fiery and vulnerable, wistful and exuberant; she lends a rare dignity to the portrayal of a woman who doesn't know what she wants."

Miami Herald: "The worst part of this equation is that the appealing Amy Adams -- just seen in 2009 as the Julie half of 'Julie & Julia' -- has no excuse for being part of this mess. She's a fresh and likeable actress who is perfectly capable of holding her own with such heavy hitters as Meryl Streep and Philip Seymour Hoffman (her co-stars in 'Doubt'). Why she is a party to such blarney remains a mystery as puzzling as the question of why anybody thought 'Leap Year' was a good idea."

'Leap Year' Trailer


Village Voice: "'Leap Year' belongs to the Prada backlash subgenre of women's pictures -- epitomized by 'The Proposal' -- in which smart, stylish women must be muddied, abased, ridiculed, and degraded in order to get their man. She's uptight and hyper-organized; he's a grinning oaf who chews with his mouth open. See where this is going? Written by Harry Elfont and Deborah Kaplan ('Made of Honor'), and directed by Anand Tucker ('Shopgirl'), the movie seems a rehash of 1930s conventions -- 'It Happened One Night' in Ireland. (Oh, no! There's only one bed left at the B&B!) Free from sex or naughty language, 'Leap Year' appears to have been designed for that huge mother-daughter matinee market, ahem."

Arizona Republic: "Lovely woman, Amy Adams, just a delightful on-screen presence, and a fine actress, as well. What's she doing in this? This being 'Leap Year,' a by-the-numbers as predictable as it is cloying. It plays like a remake of a classic-rock tune that's already been done to death; whatever surprises might be found -- and you've got to look awfully hard to find any -- are attributable solely to the artists' performance."

James Berardinelli: "As a travelogue of rural Ireland, 'Leap Year' isn't half-bad, although it tends to reinforce certain stereotypes about mud, rain, and rampant superstition. This is the Ireland one expects to see in a movie, where the old men all talk and look a little like leprechauns and the women are motherly and full of good advice. The film gets some mileage from the fish-out-of-water aspect of Anna's story but, like most of the elements in 'Leap Year,' it doesn't quite work. The scene in which she practically wrecks a small hotel room trying to plug in her blackberry is more cringe-inducing than funny."

Will you see 'Leap Year' based on the reviews alone?
Yes92 (48.9%)
No96 (51.1%)
]]> 2010-01-07T16:00:00+00:00 http://news.moviefone.com/2010/01/07/leap-year-movie-reviews/ <![CDATA['Youth in Revolt': The Rare January Treat?]]> 19293684 January, a month commonly relegated to such cringe-worthy theatrical fare as 'Bride Wars' and 'Meet the Spartans,' has been definitively pegged for the release of the highly anticipated Michael Cera-starrer 'Youth in Revolt.'

Despite overwhelming positive buzz from the 2009 Toronto Film Festival, the film has surprisingly been shuffled far too many times until its recently secured Jan 2010 release (the film's initial premiere of December 2008 was allegedly pushed back for several re-shoots in early 2009). We're also pretty sure Variety's heap of praise upon the teen comedy helped, with the industry opinion-leader declaring: "Cera and his gifted comic co-stars elevate the mediocre source material into a semi-iconic coming-of-age story."

We spoke with Francois Martin, Senior Vice President of Marketing for The Weinstein Co. in order to get to the bottom of 'Youth in Revolt''s unusual January release ... and found that it was the Weinsteins' goal all along to ride on the coattails of the festival hype and release the film right out of the gates in 2010. January, a month commonly relegated to such cringe-worthy theatrical fare as 'Bride Wars' and 'Meet the Spartans,' has been definitively pegged for the release of the highly anticipated Michael Cera-starrer 'Youth in Revolt.'

Despite overwhelming positive buzz from the 2009 Toronto Film Festival, the film has surprisingly been shuffled far too many times until its recently secured Jan 2010 release (the film's initial premiere of December 2008 was allegedly pushed back for several re-shoots in early 2009). We're also pretty sure Variety's heap of praise upon the teen comedy helped, with the industry opinion-leader declaring: "Cera and his gifted comic co-stars elevate the mediocre source material into a semi-iconic coming-of-age story."

We spoke with Francois Martin, Senior Vice President of Marketing for The Weinstein Co. in order to get to the bottom of 'Youth in Revolt''s unusual January release ... and found that it was the Weinsteins' goal all along to ride on the coattails of the festival hype and release the film right out of the gates in 2010.

The Weinstein marketing rep remarked, "We wanted to capitalize on the buzz that was first started when we took ['Youth in Revolt'] out on the film festival circuit; and these days, I don't think there is a time where studios are dumping movies. I think we're all trying to pick the best weekend for each individual movie, and let it stand on its own. If the movie is good, then the audiences will find it."

Looking back to a similar counter-programming roll-out of the January 2008 release of the well-received 'Cloverfield,' this appears to be an audaciously clever move on the part of Weinstein brothers -- sandwiching a feverishly fun film between studio-throwaways and the tail-end of awards-season fodder.

January has become more and more home to far better cinema now that distribution methods have changed with the increase in popularity of on-demand and Netflix-like services; the actual release date of a film has practically turned into an afterthought now that a film can be instantly streamed from a computer or cable box.

As far as the film itself, Michael Cera is hilariously devilish headlining this brilliantly inverted teenage sex comedy, playing two dueling personas both after one thing: the unattainable, beguiling girl. The Weinstein rep further emphasized the story's comedic appeal and what he hopes the red-band trailer will do to bring in audiences. He said, "We feel that [the red-band trailer] presents the movie in its correct way; the humor of the movie is big, it's subversive, a little bit edgy, a little more so than Michael Cera movies usually are. It's a Michael Cera that you've never seen before."

'Youth in Revolt' Red-Band Trailer


What do you think about the Weinstein Co's decision to release the film in January? Will the film's provocative red-band trailer work its magic on moviegoers?]]> 2009-12-29T12:00:00+00:00 http://news.moviefone.com/2009/12/29/youth-in-revolt-the-rare-january-treat/ <![CDATA[Eli Roth: 'Inglourious Basterds' Made My Parents Cry]]> 19285712 Eli Roth, mainly known for writing and directing slice-and-dice, gore-rific horror films like the 'Hostel' movies, puts on his acting hat as Sgt. Donny "The Bear Jew" Donowitz in friend Quentin Tarantino's Nazi-scalping opus 'Inglourious Basterds.' At the film's Blu-ray/DVD launch Monday night, we spoke with Roth on the red carpet about the 'Basterds' moment that made his parents cry, the film's award chances and his own upcoming directorial projects. Eli Roth, mainly known for writing and directing slice-and-dice, gore-rific horror films like the 'Hostel' movies, puts on his acting hat as Sgt. Donny "The Bear Jew" Donowitz in friend Quentin Tarantino's Nazi-scalping opus 'Inglourious Basterds.' At the film's Blu-ray/DVD launch Monday night, we spoke with Roth on the red carpet about the 'Basterds' moment that made his parents cry, the film's award chances and his own upcoming directorial projects.

Although he did get to direct the film-within-the-film 'Nation's Pride,' going before the camera as Donny was a welcome departure for Roth. Coming from a Jewish family, there was one particular Nazi-slaughtering scene he took much pride in, one that truly hit home. "I was watching ['Inglourious Basterds'] with my parents, and I would look over to see my parents crying as I'm shooting Hitler in the face," he recalled, humorously pointing out his parents' first reaction to watching the film. "We all got teary-eyed; it was a very emotional moment for all of us. It cut so deep and so personal in a way that none of us expected."

The recently announced Golden Globe and SAG nods should move 'Basterds' to the front of the pack when Oscar time rolls around. Roth had a moment to reflect on the film's chances and who he hopes will be honored during this hype-heavy awards season. "Look, I'd love to see Quentin get nominated -- everyone -- Melanie [Laurent], Diane Kruger and truly Christoph Waltz," he effused. "I feel like Christoph Waltz, the movie belongs to him, and he's been working for so many years; it's nice to see him finally get his due."

Since completing filming on 'Basterds,' Roth has been hard at work on a number of unexpectedly "not-so-gory" projects. "I'm actually in a producing role right now; I'm sound-mixing this horror movie 'Cotton,' which will be really scary. Not a lot of gore, it's more psychological -- but it's really, really scary. I'm really excited about it," he said. "As soon as that is done, which will be in the next week, I'm going to jump in and finish my script for 'Endangered Species,' and we'll start [production] next year."

Both the Blu-Ray and DVD editions of 'Inglourious Basterds' are now available.

'Inglourious Basterds' Trailer
]]> 2009-12-17T17:30:00+00:00 http://news.moviefone.com/2009/12/17/eli-roth-inglourious-basterds-made-my-parents-cry/ <![CDATA[Quentin Tarantino on 'Kill Bill 3' and Hijacking Nazi History]]> 19284429 When we caught up with post-modernist filmmaking master Quentin Tarantino during Monday night's launch of the 'Inglourious Basterds' Blu-Ray/DVD at New Beverly Cinema in Hollywood, it seemed like the Nazi-killing 'Basterds' weren't the only thing on his mind; Tarantino fully confirmed reports of another, hotly anticipated 'Kill Bill' sequel in the works. When we caught up with post-modernist filmmaking master Quentin Tarantino during Monday night's launch of the 'Inglourious Basterds' Blu-Ray/DVD at New Beverly Cinema in Hollywood, it seemed like the Nazi-killing 'Basterds' weren't the only thing on his mind; Tarantino fully confirmed reports of another, hotly anticipated 'Kill Bill' sequel in the works.

In the 'Kill Bill' films, Tarantino proved once again to be the go-to filmmaker for creating more adventurous roles for female stars -- taking the best from B-movie samurai films and smashing them together, quite literally, in bloody good fun. Uma Thurman, who starred as the The Bride in both 'Kill Bill' and its sequel, might just require a lengthier, extended break before the next physically demanding installment, though. "The Bride has got to get 10 years older," Tarantino humorously remarked. "I put the Bride [and Uma] through such hell in volume 1 and 2; she deserves a decade of peace."

With 'Basterds' picking up four Golden Globe and three SAG nods this past week, Tarantino shared his thoughts on the resounding critical and commercial success of the film. He said, "It has been ridiculously gratifying. I couldn't be more pleased as punch about [the film's warm reception] -- that's really exciting."

Also, Tarantino had a chance to discuss the film's handling of World War II history, and whether he was nervous about stirring the pot. "I might have been nervous if I had thought a lot about [turning history on its head] and that had been the intention [all along]," Tarantino pointed out. "When I flipped the script on history, it literally happened just before I [finished writing]. So I didn't have time to debate it or think about it."

Fortunately, we were able to sneak into the theater as the curtain rose on the screening.

As fans packed the house of New Beverly Cinema (which is co-owned by Tarantino), the 'Pulp Fiction' filmmaker introduced the film with a hearty belly laugh: "Are there any 'Basterds' virgins out here?" Soon enough Tarantino ushered the 'Basterds' players in attendance -- Diane Kruger, Eli Roth, B.J. Novak, Omar Doom and Samm Levine -- to the front, as an eager crowd rejoiced with applause. The eventful screening was a well-orchestrated affair for devoted fans of 'Basterds' and Tarantino, who picked out seven trailers from movies that inspired 'Basterds' (including war classics 'The Big Red One' and 'Kelly's Heroes') to run before the main show.

All in all, we would say it was an undoubtedly glorious occasion -- no bastards in attendance, thankfully.

Both the Blu-Ray and DVD editions of 'Inglourious Basterds' are now available.

'Inglourious Basterds' Trailer
]]> 2009-12-17T17:15:00+00:00 http://news.moviefone.com/2009/12/17/quentin-tarantino-on-kill-bill-3-and-hijacking-nazi-history/ <![CDATA[Video Footage from the London Premiere of 'Sherlock Holmes']]> 19280648 Miss out on Warner Brothers' live video stream of the London premiere of the hotly anticipated 'Sherlock Holmes'? You've come to the right place.

As the film's stars Robert Downey Jr., Jude Law and Rachel McAdams arrived on the red carpet Monday evening, a sea of fans clamored for autographs and photos of the three thespians while fire blazed atop a gigantic monument dedicated to the film's title in the background. A Madonna-less Guy Ritchie looked all smiles while chatting with fans. Miss out on Warner Brothers' live video stream of the London premiere of the hotly anticipated 'Sherlock Holmes'? You've come to the right place.

As the film's stars Robert Downey Jr., Jude Law and Rachel McAdams arrived on the red carpet Monday evening, a sea of fans clamored for autographs and photos of the three thespians while fire blazed atop a gigantic monument dedicated to the film's title in the background. A Madonna-less Guy Ritchie looked all smiles while chatting with fans.

With dozens of trees lit up with Christmas lights and classic street lamps lit aflame, Warner Bros. thoroughly redefined the phrase "pulling out all the stops" during the Monday night premiere; it was pure extravaganza and over-the-top spectacle but surely got us fired up for the film's upcoming release on Christmas Day. (The advance positive buzz doesn't hurt either.)

Watch footage from the uproarious night at this link.]]> 2009-12-15T14:00:00+00:00 http://news.moviefone.com/2009/12/15/sherlock-holmes-premiere-london-video-footage/ <![CDATA['The Road' Won't Receive Wide Release]]> 19280867 John Hillcoat's 'The Road,' adapted from Cormac McCarthy's Pulitzer prize-winning novel and initially pegged as an Oscar-vehicle for Viggo Mortensen, has unexpectedly been pulled back to a much smaller platform release.

The Playlist reported that the Nov. 25 premiere was first scheduled as a wide release (commonly 1000+ theaters) but The Weinstein Co. quickly nixed that idea -- choosing to open the film in a paltry 111 theaters domestically. The Weinsteins have promised the film will hit more cities, but how soon will that be? John Hillcoat's 'The Road,' adapted from Cormac McCarthy's Pulitzer prize-winning novel and initially pegged as an Oscar-vehicle for Viggo Mortensen, has unexpectedly been pulled back to a much smaller platform release.

The Playlist reported that the Nov. 25 premiere was first scheduled as a wide release (commonly 1000+ theaters) but The Weinstein Co. quickly nixed that idea -- choosing to open the film in a paltry 111 theaters domestically. The Weinsteins have promised the film will hit more cities, but how soon will that be?

Looking back on how the Weinstein Co. has handled the film's release so far (wasn't 'The Road' set for a fall 2008 release?), it's no surprise the fickle distributor has changed its theatrical course once again. Also, given the film's emotionally weighty subject matter and its harrowing depictions of a bleak, post-Apocalyptic world, the film may just not have played well with test audiences, leading the Weinsteins to rethink their initial theatrical roll-out.

And what happened to all the zealous fans of the book? It seems like their reluctance to embrace the film has squandered its returns at the box office. (The film premiered with an adequate average of $13,534 per theater during its first weekend.)

The only thing left that could help the film's chances of reaching a much wider release more quickly is buzz from the awards season, especially the upcoming Golden Globe nominations, which will be announced Tuesday morning at 5 a.m. PST.
Mortensen's heart-wrenching performance has a great chance of landing in the best dramatic actor category.

Something tells us the Weinsteins will surely have their eyes glued to that race.]]> 2009-12-14T17:30:00+00:00 http://news.moviefone.com/2009/12/14/the-road-wont-receive-wide-release/ <![CDATA['Invictus' Movie Reviews]]> 19274184 Clint Eastwood's 'Invictus' is a stirring biographical portrait of the legendary Nelson Mandela (Morgan Freeman), who, under apartheid, was held as a political prisoner for 27 years. The film begins with the moment Mandela is released from prison and as he steps into the shoes as the leader of an embattled nation, South Africa. In his struggle to bridge the ever-widening gap between the historically wronged South African blacks and the white Afrikaners, Mandela utilizes the national rugby team and its captain Francois Pienaar (Matt Damon) to mend old wounds and bring the people together as the team faces off in the heated 1995 Rugby World Cup.

Often the biopic is a controversial genre when it comes to movie-making, especially when a film portrays a highly notable and recognizable figure in the recent history of civil rights and global peace, such as Mandela. The critics have mostly embraced Eastwood's latest cinematic feast, but don't take our word for it. After the jump you'll find several 'Invictus' reviews from some of our nation's most intelligent, discerning critics. Clint Eastwood's 'Invictus' is a stirring biographical portrait of the legendary Nelson Mandela (Morgan Freeman), who, under apartheid, was held as a political prisoner for 27 years. The film begins with the moment Mandela is released from prison and as he steps into the shoes as the leader of an embattled nation, South Africa. In his struggle to bridge the ever-widening gap between the historically wronged South African blacks and the white Afrikaners, Mandela utilizes the national rugby team and its captain Francois Pienaar (Matt Damon) to mend old wounds and bring the people together as the team faces off in the heated 1995 Rugby World Cup.

Often the biopic is a controversial genre when it comes to movie-making, especially when a film portrays a highly notable and recognizable figure in the recent history of civil rights and global peace, such as Mandela. The critics have mostly embraced Eastwood's latest cinematic feast, but don't take our word for it. Below you'll find several 'Invictus' reviews from some of our nation's most intelligent, discerning critics.

Entertainment Weekly: "'Invictus' often suggests a spiritual link between Mandela's cunning and the strategies of Barack Obama, with a rough parallel between the film's righteously angry black South Africans and the progressives whom Obama won't appease. The film's speechifying is at times overexplicit, yet Freeman lets the words breathe, and Damon, as the cautious Afrikaner brought to a higher place by Mandela's authority, acts with a coolly impassive fervor."

Variety: "Freeman, a beautiful fit for the part even if he doesn't go all the way with the accent, takes a little while to shake off the man's saintlike image, and admittedly, the role of such a hallowed contemporary figure does not invite too much complexity, inner exploration or actorly elaboration. That said, Freeman is a constant delight; gradually, one comes to grasp Mandela's political calculations, certitudes and risks, the troubled personal life he keeps mostly out of sight, and his extraordinary talent for bringing people around to his point of view."

Boston Globe: "Of course there's a climactic game, as there was in real life, even if 'Invictus' ignores the historical side dramas. (Were the New Zealand All-Blacks - named for their jerseys, not their skin color - suffering from food poisoning that day? Sorry, the movie doesn't care.) Eastwood lets himself go overboard in the final moments, putting the action on the field and across South Africa into portentous slow motion and cueing the BAM! BAM! BAM! of the close-up time clock. Once again, though, we understand. There are times for restraint, and there are times - such as a fractured nation at last becoming master of its fate - to go wild with joy."

'Invictus' Trailer


Newsweek: "Clint Eastwood's 'Invictus' is not your ordinary sports movie, though it comes to a rousing climax at the 1995 Rugby World Cup match between South Africa and New Zealand. The stakes are higher: a nation's unity hangs in the balance. 'Invictus' (which means "unconquered") takes place at the intersection of sports and politics. Its hero is Nelson Mandela (Morgan Freeman, naturally), who, in the aftermath of apartheid, has just been elected South Africa's president after serving 27 years in prison."

Village Voice: "Like every Eastwood production, 'Invictus' is stately, handsomely mounted, attentive to detail right down to the Marmite adorning the team's breakfast buffet, and relentlessly conventional. As a portrait of a hero, the movie effortlessly brings a lump to the throat (Freeman gives a subtly crafted performance that blends Mandela's physical frailty with his easy charm and cerebral wit); as history, it is borderline daft and selective to the point of distortion."

USA Today: "But the key to 'Invictus' is not players running around on a field. It's two stellar performances and a story that stirs hearts and intrigues minds. It's hard to imagine anyone besides Freeman playing Mandela. He could have coasted on his voice, his charm and expressive face. But he becomes Mandela, and we get a window into the psyche of one of the world's most stirring leaders."

Chicago Tribune: "For all that, 'Invictus' chugs toward its climactic match with ease and a sense of purpose. One of the shrewdest touches is nearly dialogue-free: As two Afrikaner policemen huddle close to their radio outside the Johannesburg stadium during the final showdown, a poor young denizen of the slums joins them. It's not an all's-well moment of unity; rather, the way Eastwood handles it, it's a glancing moment of connection in a country feeling its way past miserable divisions."

Get more 'Invictus' reviews on RottenTomatoes.com.]]> 2009-12-11T14:30:00+00:00 http://news.moviefone.com/2009/12/11/invictus-movie-reviews/ <![CDATA[Top 10 Breakout Stars of 2009]]> 19265058 The equation for breakthrough star is quite simple: one part charisma, two parts talent and just a whole lot of luck. (Well, our formula might not be precise but you get the picture.) And the breakout performer must connect with an audience with a role that leaps off the screen.

2009 was a great year for breakout stars; here's our list of actors for whom 2009 will be just the beginning of a long, fruitful career.


The equation for breakthrough star is quite simple: one part charisma, two parts talent and just a whole lot of luck. (Well, our formula might not be precise but you get the picture.) And the breakout performer must connect with an audience with a role that leaps off the screen.

2009 was a great year for breakout stars; here's our list of actors for whom 2009 will be just the beginning of a long, fruitful career.


10. Sharlto Copley
Making his feature film debut as the prawn-wrangler Wikus Van De Merwe in the sci-fi, sleeper-hit of the summer 'District 9,' South African-born Sharlto Copley proves a truly gifted action-comedian while dealing with the most absurd, Kafkaesque transformation. In his absolute commitment to character, Copley brings this outlandish predicament to life with such humorous desperation and unease, it feels shockingly real.
Next Up: The role of Captain Murdock in the cinematic reworking of the '70s TV staple 'The A-Team.'

9. Jeremy Renner
Largely known as a supporting player in TV and features throughout the past decade, Jeremy Renner literally exploded onto the scene this year as a bomb-defusing sergeant in Kathryn Bigelow's gritty, heart-stopper 'The Hurt Locker.' Renner's stoic yet devastating performance has lifted this once-benchwarmer into the big leagues. We're not the only big fans of Renner's star-making turn; the National Board of Review just handed him the nod for breakthrough male performer of the year.
Next Up: Starring in Ben Affleck's sophomore directorial effort 'The Town.'

8. Zoe Saldana
You might recognize the stunning actress Zoe Saldana -- star of this year's mega-blockbuster 'Star Trek' and James Cameron's hotly anticipated 'Avatar' -- but you soon won't forget her name. Initially making her film debut as a hard-working ballerina in 2000's 'Center Stage,' Saldana utterly dazzles as the headstrong Uhura in J.J. Abrams's modern reboot of the sci-fi cult classic. Saldana has a great energy on the screen, which is further bolstered by her out-of-this-world looks.
Next Up: Cameron's 3D intergalactic epic 'Avatar' and the 2010-slated heist film 'Takers.'

7. Anna Kendrick
Anna Kendrick has a lot going for her. She co-stars in that hit film series 'Twilight,' and just snagged a National Board of Review prize for her naively overconfident, quick-witted turn as a newbie firing-agent in Jason Reitman's 'Up in the Air.' At only 24, Kendrick has proved to be a mighty talent in both comedy and drama, garnering a heap of Oscar buzz going toe-to-toe with George Clooney in 'Air.'
Next Up: Edgar Wright's 'Scott Pilgrim vs. the World' and, of course, reprising her role as Jessica in 'The Twilight Saga: Eclipse.'

6. Chris Pine
Alongside Saldana, the heartily charismatic Chris Pine boldly goes where no man has gone before in Abrams' 2009 hit 'Star Trek.' Stepping into what many would consider an iconic role, Pine undeniably surprises as the stubbornly courageous, and handsome, Captain James T. Kirk of the USS Enterprise. Having only co-starred in a handful or so of feature film roles before taking on 'Trek,' Pine fills William Shatner's shoes quite handily, and that's no easy task. (Trust me, no one wants to face the wrath of a Trekkie.)
Next up: Starring opposite Denzel Washington in Tony Scott's 'Unstoppable.'

5. Sam Worthington
Anchoring both McG's blockbuster-sequel 'Terminator: Salvation' and the upcoming 'Avatar,' the ridiculously swoon-worthy Australian Sam Worthington is clearly having a great year. In his breakthrough role as the cyborg-with-a-heart Marcus Wright, Worthington manages to overshadow Christian Bale and utterly humanizes the nuts-and-bolts character. Worthington is not just a pretty face, he has a great cinematic presence, clearly one that commands much more dramatic work than just action fluff.
Next Up: The mythic role of Perseus in another mega blockbuster-in-waiting, the remake of 'Clash of the Titans.'

4. Carey Mulligan
Oozing endless charm in her break-out performance in this year's Sundance hit 'An Education,' British actress Carey Mulligan has tinsel town talking Oscar. It's all due to her wonderfully nuanced performance. With the recent best actress honor bestowed upon her by the National Board of Review, Mulligan lands the enviable role of front-runner. Her film debut may have been somewhat innocuous as Keira Knightley's younger sibling in 'Pride & Prejudice,' but Mulligan's mature handling of such a tricky part in 'An Education' has landed her on the A-list of talented British actresses
Next Up: Reteaming with Knightley for 2010's 'Never Let Me Go' as well as Oliver Stone's 'Wall Street 2'

3. Zach Galfianakis
At 40, Zach Galfianakis is quite a known commodity in the comedy and YouTube world, but it wasn't until his breakthrough performance as the awkwardly zany, baby-strapped Alan in 'The Hangover' that he was introduced to a mainstream film audience. Honing his routine for years in the comedy circuit, Galfianakis's unique brand of uncomfortable humor perfectly suits the film's off-kilter sense of comedy. Galfianakis may be the unlikeliest person on the list, but his boundless gifts as a comedy specialist place him tightly snug in the top three.
Next Up: The action-thriller 'Rogue's Gallery' and co-starring with Steve Carell in 2010's 'Dinner for Schmucks.'

2. Gabourey 'Gabby' Sidibe
Since someone had to take the unenviable position of number 2, it seemed fitting to give it to Gabourey 'Gabby' Sidibe, whose fearless performance as the down-and-out, struggling -- yet still hopeful -- Clareece 'Precious' Jones continues to amaze long after her celebrated Sundance premiere of 'Precious: Based on the Novel Push by Sapphire.' Sidibe is unquestionably spellbinding in the role, and snagged a National Board of Review for breakthrough performance. Clearly, our decision to place Sidibe near the top of the list was an easy one; her positively devastating debut is one of the most moving portrayals we've seen in years.
Next Up: The family drama 'Yelling to the Sky.'

1. Taylor Lautner
Royally buffing up as the shapeshifting werewolf Jacob Black in the sequel 'The Twilight Saga: New Moon,' Taylor Lautner redefines teenage hunk in his breakout role. Graduating from Bella's long-haired admirer in the first film, Lautner is able to flex his muscles, quite literally, with a much larger, brooding part in the second vampire flick. There is a reason why Taylor beat out the rest of the notable names on this list for the top spot: sheer box office brawn. The Twihards have spoken: Team Jacob all the way -- well, for now at least.
Next Up: Reprising his role as Jacob Black in 'The Twilight Saga: Eclipse.' ]]> 2009-12-04T17:20:00+00:00 http://news.moviefone.com/2009/12/04/breakout-stars-2009/ <![CDATA[Independent Spirit Awards 2010 Nominations Announced]]> 19260152 Usually taking place beach side with guests often wearing their best casual attire, the Independent Spirit Awards have always been the antithesis to the high-glam, self-important Oscars -- shining a light on low-budget fare often overlooked by the public and other, more commercial, award shows.

In this morning's announcement, Academy award nominee Taraji P. Henson and two-time Spirit award winner Matt Dillon read off the nominations for Film Independent's 25th Independent Spirit Awards.

'Precious,' now a usual suspect when it comes to awards attention, was fully spoken for with five nominations, while 'The Last Station' surprised with five nominations as well. Both pictures are firmly represented in the Best Picture, Director and Actress categories. Independent Spirit Award 2010 Nominations AnnouncedUsually taking place beach side with guests often wearing their best casual attire, the Independent Spirit Awards have always been the antithesis to the high-glam, self-important Oscars -- shining a light on low-budget fare often overlooked by the public and other, more commercial, award shows.

In this morning's announcement, Academy award nominee Taraji P. Henson and two-time Spirit award winner Matt Dillon read off the nominations for Film Independent's 25th Independent Spirit Awards.

'Precious,' now a usual suspect when it comes to awards attention, was fully spoken for with five nominations, while 'The Last Station' surprised with five nominations as well. Both pictures are firmly represented in the Best Picture, Director and Actress categories.

Also nabbing Best Feature nods were this summer's critically adored anti-romantic comedy '(500) Days of Summer,' 'Sin Nombre' and 'Amreeka,' while Oren Peli, director of this fall's word-of-mouth horror blockbuster 'Paranormal Activity,' scored a nomination for Best First Feature.

The real head-scratcher, though, is the absence of Hal Holbrook in a Best Male Lead spot for 'That Evening Sun.' Co-players Mia Wasikowska and Raymond McKinnon are deservedly sitting in the Supporting categories, yet Holbrook's delicate, layered lead performance is passed over?

Also, Joaquin Phoenix and his film 'Two Lovers' were both clearly snubbed in their respective categories of Lead Actor and Best Feature.

And don't get me started on the 'Gentlemen Broncos' nod. Seriously, FIND?

FIND's 25th Independent Spirit Awards show will trade Santa Monica beach for downtown L.A. on the celebratory night of March 5, and will air live, uncut at 8 PM PST/11 PM EST on IFC.

Below you'll find the 2010 nominees in the major categories. Get the full list of nominees and in-depth analysis on IndieWire.


BEST FEATURE
'(500) Days Of Summer'
'Amreeka'
'Precious'
'Sin Nombre'
'The Last Station'


BEST DIRECTOR
Ethan Coen, Joel Coen, 'A Serious Man'
Lee Daniels, 'Precious'
Cary Joji Fukunaga, 'Sin Nombre'
James Gray, 'Two Lovers'
Michael Hoffman, 'The Last Station'

BEST FIRST FEATURE (Award given to the director and producer)
'A Single Man,' Director: Tom Ford, Producers: Tom Ford, Andrew Miano, Robert Salerno, Chris Weitz
'Crazy Heart,' Director: Scott Cooper, Producers: T Bone Burnett, Judy Cairo, Rob Carliner, Scott Cooper, Robert Duvall
'Easier With Practice,' Director: Kyle Patrick Alvarez, Producer: Cookie Carosella
'Paranormal Activity,' Director: Oren Peli, Producer: Jason Blum, Oren Peli
'The Messenger,' Director: Oren Moverman, Producers: Mark Gordon, Lawrence Inglee, Zach Miller


JOHN CASSAVETES AWARD
(Given to the best feature made for under $500,000)
'Big Fan'
'Humpday'
'The New Year Parade'
'Treeless Mountain'
'Zero Bridge'


BEST SCREENPLAY
Alessandro Camon, Oren Moverman, 'The Messenger'
Michael Hoffman, 'The Last Station'
Lee Toland Krieger, 'The Vicious Kind'
Greg Mottola, 'Adventureland'
Scott Neustadter, Michael H. Weber, '(500) Days Of Summer'


BEST FIRST SCREENPLAY
Sophie Barthes, 'Cold Souls'
Scott Cooper, 'Crazy Heart'
Cherien Dabis, 'Amreeka'
Geoffrey Fletcher, 'Precious: Based on the Novel Push by Sapphire'
Tom Ford, David Scearce, 'A Single Man'


BEST FEMALE LEAD
Maria Bello, 'Downloading Nancy'
Helen Mirren, 'The Last Station'
Gwenyth Paltrow, 'Two Lovers'
Gabourey Sidibe, 'Precious: Based on the Novel Push by Sapphire'
Nisreen Faour, 'Amreeka'


BEST MALE LEAD
Jeff Bridges, 'Crazy Heart'
Colin Firth, 'A Single Man'
Joseph Gordon-Levitt, '(500) Days Of Summer'
Souléymane Sy Savané, 'Goodbye Solo'
Adam Scott, 'The Vicious Kind'


BEST SUPPORTING FEMALE
Dina Korzun, 'Cold Souls'
Mo'Nique, 'Precious'
Samantha Morton, 'The Messenger'
Natalie Press, 'Fifty Dead Men Walking'
Mia Wasikowska, 'That Evening Sun'


BEST SUPPORTING MALE
Jemaine Clement, 'Gentlemen Broncos'
Woody Harrelson, 'The Messenger'
Christian McKay, 'Me and Orson Welles'
Raymond McKinnon, 'That Evening Sun'
Christopher Plummer, 'The Last Station'

]]> 2009-12-01T15:00:00+00:00 http://news.moviefone.com/2009/12/01/independent-spirit-awards-2010-nominations/ <![CDATA['Inglourious Basterds' for Oscars Best Picture? Gold Derby Thinks So]]> 19246716 Quentin Tarantino's 'Inglourious Basterds' is by all means a very good film, but has it deservedly secured a place as the Best Picture at the 2010 Oscars this early in the game?

The awards blog Gold Derby thinks so -- boldly (and unexpectedly) predicting 'Inglourious Basterds' as the sure-fire winner of Best Picture .

In their assessment, the victor of the Best Director prize is the most essential factor when determining which film ultimately will take home Best Picture statuette during the Oscar telecast. The Gold Derby blogger further points out that the DGA (the union that votes for Best Director) has yet to honor Quentin Tarantino, pondering: "How can guild members resist voting for the Hollywood hipster?" Quentin Tarantino's 'Inglourious Basterds' is by all means a very good film, but has it deservedly secured a place as the Best Picture at the 2010 Oscars this early in the game?

The awards blog Gold Derby thinks so -- boldly (and unexpectedly) predicting 'Inglourious Basterds' as the sure-fire winner of Best Picture .

In their assessment, the victor of the Best Director prize is the most essential factor when determining which film ultimately will take home Best Picture statuette during the Oscar telecast. The Gold Derby blogger further points out that the DGA (the union that votes for Best Director) has yet to honor Quentin Tarantino, pondering: "How can guild members resist voting for the Hollywood hipster?"

But when have the folks at the DGA been known for rewarding the most unique, hip talent in the mix? (It took guild members nearly 40 years to bestow Roman Polanksi and Martin Scorsese with the Best Director accolade.)

With such favored heavyweights as Clint Eastwood ('Invictus') and Peter Jackson ('The Lovely Bones') yet to release their respective films, Gold Derby's process of elimination seems a bit perplexing, seeing as The Academy is known to, as they say, keep it in the family -- acknowledging past winners with even more wins.

And one cannot so easily dismiss Lee Daniels, whose widely acclaimed film 'Precious' has quickly skyrocketed at the box office and hogged most of the awards buzz so far in 2009 with wins at the Sundance and Toronto Film Festivals. The latter of the two is an early Oscars precursor; 'Slumdog Millionaire' and 'American Beauty,' both past recipients of the Toronto Audience Award, went on to strike Oscar gold.

Also, the Academy's decision to open up the category to 10 nominees has turned the Awards race on its head; 2010 is swiftly becoming the year of the dark horse, potentially paving the way for such critical darlings like 'The Hurt Locker' and 'A Serious Man' to sneak in at the last minute.

Given the Gold Derby's logic, Tarantino could very well walk away with the Best Director title for his rollicking, Nazi-killing popcorn film on March 7.

The Best Picture race, on the other hand, is still too early to call.]]> 2009-11-25T09:00:00+00:00 http://news.moviefone.com/2009/11/25/inglourious-basterds-for-oscars-best-picture-gold-derby-think/ <![CDATA[And the Oscar Buzz Goes to ... Carey Mulligan for 'An Education']]> 19246994 Despite having only two previous, supporting feature film roles to her name ('Pride & Predjudice' and 'When Did You Last See Your Father?') before landing the lead in tjhe coming-of-age drama 'An Education,' the spry 24-yr-old Carey Mulligan has become an odds-on favorite to pick up an Oscar nod in the Best Actress category when the nominations are announced on the morning of Feb 2.

After making a splash at the 2009 Sundance Film Festival with her astute portrayal of the naively precocious schoolgirl Jenny, Mulligan has ignited a frenzy of Oscar talk, with critics noting her stand-out performance as "remarkably nuanced" and "star-making." Roger Ebert wrote in his review, "You're pretty sure this is the birth of a star.
Despite having only two previous, supporting feature film roles to her name ('Pride & Predjudice' and 'When Did You Last See Your Father?') before landing the lead in the coming-of-age drama 'An Education,' the spry 24-yr-old Carey Mulligan has become an odds-on favorite to pick up an Oscar nod in the Best Actress category when the nominations are announced on the morning of Feb 2.

After making a splash at the 2009 Sundance Film Festival with her astute portrayal of the naively precocious schoolgirl Jenny, Mulligan has ignited a frenzy of Oscar talk, with critics noting her stand-out performance as "remarkably nuanced" and "star-making." Roger Ebert wrote in his review, "You're pretty sure this is the birth of a star.

Lone Scherfig's film is a beautifully rendered portrait of pre-Swinging '60s London. In it, the well-studied, and wise-beyond-her-years, Jenny leaves her books behind to venture down a more adventurous, non-conformist path with a crafty older gentleman and, in so doing, challenges society's pre-conceived notions of how a teenage girl should experience the world.

Jenny is clearly a juicy role, and the Academy is always hankering to anoint the next talented ingénue (think of recent nominees Anne Hathaway, Ellen Page and Keira Knightley). Mulligan undoubtedly fits the bill.

Yes, she is the new kid on the block, and a rookie when it comes to the politically driven Awards season -- having barely garnered any notice as Knightley's younger sister in her debut film 'Pride & Prejudice' (for which Knightley was nominated as Best Actress) .

But Mulligan shines in her breakthrough role, playing Jenny with equal parts headstrong maturity, subtle naïveté and sharp wit; it is a role that runs the gamut of emotions, providing Mulligan an ample stage to show off such beautifully versatile gifts as an actor.

What is miraculous about the positive reception of Mulligan's performance is how it has weathered the storm of time and critics, sustaining the initial acclaim from the January 2009 premiere.

Mark my words: Mulligan will certainly be among the chosen, enviable few in the Best Actress category during the 2010 Oscar season. Well ...provided she is not starring in a poorly executed, wedding-themed rom-com awaiting release before the big day (sorry Anne -- you blew your chances at a win), the coveted Awards-spot is Mulligan's to lose.

'An Education' Movie Trailer

]]> 2009-11-20T16:00:00+00:00 http://news.moviefone.com/2009/11/20/oscar-buzz-carey-mulligan-for-an-education/ <![CDATA['Twilight: New Moon'-themed viral videos Twihards might not like]]> 19246571 As the many throngs of girls clamor in line awaiting their first glimpse of 'The Twilight Saga: New Moon' this weekend, they can rest assured their time will certainly not go unwasted.

With hundreds (maybe thousands?) of 'Twilight'-themed viral videos and spoofs currently circulating throughout the web (and easily accessible via smart phones), the millions of 'Twilight' addicts can whet their appetite with clips that range from a Sim's parody animating the 'New Moon' characters to the raunchier, like a Brandon Routh-starring spoof on tampon commercials and the dangers of dating a vampire while menstruating. On second thought, maybe the Twihards and the Robsessed may not want to watch these -- or perhaps they should go to Urlesque's collection of favorite 'Twilight' videos instead. (Caution: some mature content in the videos after the jump.) As the many throngs of girls clamor in line awaiting their first glimpse of 'The Twilight Saga: New Moon' this weekend, they can rest assured their time will certainly not go unwasted.

With hundreds (maybe thousands?) of 'Twilight'-themed viral videos and spoofs currently circulating throughout the web (and easily accessible via smart phones), the millions of 'Twilight' addicts can whet their appetite with clips that range from a Sim's parody animating the 'New Moon' characters to the raunchier, like a Brandon Routh-starring spoof on tampon commercials and the dangers of dating a vampire while menstruating. On second thought, maybe the Twihards and the Robsessed may not want to watch these -- or perhaps they should go to Urlesque's collection of favorite 'Twilight' videos instead. (Caution: some mature content in the videos after the jump.)

Feast your eyes on our favorite 'Twilight'-themed viral videos:


The Sim's Parody of 'New Moon':


Twilight High School Musical (a parody):

Remix: Kristen Stewart Bites Her Lower Lip a Lot:


"Kristen Stewart blinks. a lot." video:


Asylum's All Mashed Up-'Twilight' Werewolves Aren't Really Werewolves:


Twilight Cycles:


Twilight: Five Years Later:
]]> 2009-11-20T14:00:00+00:00 http://news.moviefone.com/2009/11/20/twilight-new-moon-themed-raunchy-viral-videos-twihards-might-not-like/ <![CDATA['Precious' Movie Theaters: Where to Find Theaters Playing 'Precious' in Your City]]> 19241782 Having trouble finding tickets in your city for the newly crowned box-office smash 'Precious'? Don't fret; I'm here to help.

Now that word has gotten out on the 2009 Sundance gem--averaging a sizable take of $35,000 per screen in 174 theaters over the weekend--Lionsgate will reportedly expand the film's roll-out to a handsome count of 600+ theaters by Thanksgiving weekend. Check out what Mo'Nique has to say about the film's success in our exclusive interview.

Below you'll find the theater locations of where 'Precious' is currently playing, as well as the upcoming locations and dates of the expanded roll-out schedule. Also, if you can't find your local neighborhood theater listed here, you can demand Lionsgate to release 'Precious' in your city by calling 877-370-6824. Having trouble finding tickets in your city for the newly crowned box-office smash 'Precious'? Don't fret -- we're here to help.

Now that word has gotten out on the 2009 Sundance gem -- averaging a sizable take of $35,000 per screen in 174 theaters over the weekend -- Lionsgate will reportedly expand the film's roll-out to a handsome count of 600+ theaters by Thanksgiving weekend. Check out what Mo'Nique has to say about the film's success in our exclusive interview.

Below you'll find the theater locations of where 'Precious' is currently playing, as well as the upcoming locations and dates of the expanded roll-out schedule. Also, if you can't find your local neighborhood theater listed here, you can demand Lionsgate to release 'Precious' in your city by calling 877-370-6824.

(Note: New locations and theaters have been added to the November 20 roll-out of the film, and are highlighted in bold. Please refer to the film's official website for the most up-to-date information regarding the theatrical expansion of 'Precious.')

Currently Playing At:
Alexandria, VA -- AMC Hoffman 22
Alexandria, VA -- Regal Potomac Yards Stadium 16
Arlington, TX -- AMC Parks 18 Arlington
Arlington, TX -- Studio Movie Grill
Astoria, NY -- UA Kauffman Astoria Studios 14
Atlanta, GA -- AMC Parkway Pointe Cinema 15
Atlanta, GA -- AMC Phipps Plaza 14
Atlanta, GA -- De Anza Starlight Drive In Theatre 6
Atlanta, GA -- Landmark Midtown Cinema 8
Atlanta, GA -- Movies ATL
Atlanta, GA -- Regional Atlantic Station Stadium 16
Austell, GA -- Regal 22
Bensalem, PA -- AMC Neshaminy 16
Berkeley, CA -- Landmark Shattuck 8
Bethesda, MD -- Landmark Bethesda Row Cinema
Bowie, MD -- Regal Bowie Cinema 14
Bridgeport, CT -- NA Showcase Cinemas 12
Bronx, NY -- AMC Bay Plaza 13 Cinema
Bronx, NY -- Bow Tie American Theatre
Bronx, NY -- NA Concourse IO
Bronx, NY -- NA Whitestone Multiplex
Brooklyn, NY -- Bam Rose Cinema 4
Brooklyn, NY -- NA Multiplex Cinemas Linden Boulevard
Brooklyn, NY -- Pavilion Park Slope Theatre
Brooklyn, NY -- UA Court Street 12
Brooklyn, NY -- UA Movies Sheepshead Bay
Buford, GA -- Regal Mall of Georgia 20 and Imax
Burbank, CA -- AMC Burbank 16
Cedar Hill, TX -- Cinemark 14
Chamblee, GA -- Regal Hollywood 24
Cherry Hill, NJ -- AMC Cherry Hill 24
Chicago, IL -- AMC Ford City 14
Chicago, IL -- AMC River East 21
Chicago, IL -- ICE Chatham 14
Chicago, IL -- Kerasotes City North 14
Chicago, IL -- Kerasotes Showplace 14 (Galewood)
Chicago Heights, IL -- Marcus Chicago Heights 14
Country Club Hills, IL -- LCE Country Club Hills 16
Cicero, IL -- Kerasotes Showplace 14
Claremont, CA -- Laemmle Claremont 5
Clifton, NJ -- AMC Clifton Commons 16
Conyers, GA -- Carmike Conveyors Crossing 16
Crestwood, IL -- LCE Crestwood 18
Dallas, TX -- Angelika Film Center & Cafe
Decatur, GA -- AMC North Dekalb 16
Decatur, GA -- Galaxy South Dekalb Funplex 12
Douglasville, GA -- Regal Arbor Place Mall 18
Dublin, GA -- Regal Hacienda Crossings 20 & IMAX
Eatontown, NJ -- AMC Monmouth Mall15
Edgewater, NJ -- NA Edgewater Multiplex Cinema
El Segundo, CA -- Pacific Beach Cities Cinema 16
Elizabeth, NJ -- AMC Jersey Gardens 20
Emeryville, CA -- AMC Bay Street 16
Evanston, IL -- Century Evanston 12
Fairfax, VA -- Cinema Art Theater
Fairfax, VA -- NA Fairfax Corner Cinema Delux 14
Farmingdale, NY -- NA Farmingdale Multiplex 14
Fayetteville, GA -- Cinemark Tinseltown 17
Garden City, NY -- AMC Roosevelt Field 8
Garden City, NY -- Movies 278
Greenwich, CT -- Bow Tie Plaza Tri
Greenwich, CT -- Marcus Gurnee Mills 14 Cinema
Highland, IL -- Landmark Renaissance Place
Hollywood, CA -- Pacific ArcLight Cinema
Houston, TX -- AMC Gulf Pointe 30
Houston, TX -- AMC Studio 30
Houston, TX -- AMC Willowbrook 24
Houston, TX -- Angelika Film Center
Houston, TX -- Edwards Greenway Palace Stadium 24
Humble, TX -- AMC Deerbrook Mall 24
Huntington, NY -- Cinema Arts
Hyattsville, MD -- Regal Royale 14
Irvine, CA -- Edwards University Town Center 6
Jamaica, CA -- NA Jamaica Multiplex Cinemas
Joliet, IL -- Cinemark Louis Joliet Mall
Kennesaw, GA -- AMC Barret Commons 24
Kew Gardens, NY -- Kew Gardens Cinema
Kingstowne, VA -- Regal Kingstowne 16 Cinemas
Lakewood, CA -- Pacific Lakewood Stadium 16
Lancaster, CA -- Cinemark 22
Lancaster, TX -- Cinemark Movies 14
Lansing, IL -- Lansing 8
Largo, MD -- AMC MJ Capitol Center 12
Lawrence, GA -- AMC Colonial 18
Lawrencevile, GA -- AMC Discover Mills 18
Lincolnshire, IL -- Regal Lincolnshire 20
Linden, NJ -- AMC Aviation 20
Lithonia, GA -- AMC Stonecrest 16
Lombardi, NJ -- AMC Yorktown 18
Long Beach, CA -- Edwards Long Beach Stadium 26
Los Angeles, CA -- AMC Century City 15
Los Angeles, CA -- LA Live Stadium 14
Los Angeles, CA -- Pacific Grove Stadium 14
Los Angeles, CA -- LCE Magic Crenshaw Plaza 15
Los Angeles, CA -- NA The Bridge Cinema de Lux
Los Angeles, CA -- The Landmark
Manhasset, NY -- Clearview Manhasset Cinemas
McDonough, GA -- Great Escape McDonough 16
Melrose Park, IL -- Cinemark Tinseltown 10
Merrilville, IN -- Kerasotes Showplace 12
Mesquite, TX -- AMC Mesquite 30
Millville, CA -- Century Cine Arts at Sequoia
Moreno Valley, CA -- Hawkins Moreno Valley 16
Morrow, GA -- AMC Southlake Pavilion 24
Mountainside, NY -- AMC Mountainside Cinema 10
Naperville, IL -- Kerasotes Showplace 16
New Lenox, IL -- Kerasotes Showplace 14
New Rochelle, NY -- Regal Roc City 18 & Imax
New York, NY -- 86th St East
New York, NY -- AMC Empire 25
New York, NY -- AMC MJ Harlem 9
New York, NY -- AMC 34th Street
New York, NY -- Clearview 1st & 62nd Cinemas
New York, NY -- Clearview Chelsea Cinema 9
New York, NY -- LCE Lincoln Square
New York, NY -- UA Union Square 14
Newark, DE -- Regal Peoples Plaza Cinema Stadium 17
Newnan, GA -- Georgian 14
Norwalk, CA -- AMC Norwalk 20
Norwalk, CA -- Garden Cinemas
Oakpark, IL -- Classic Cinemas Lake Theatre
Ontario, CA -- AMC Ontario Mills 30
Ontario, CA -- Edwards Ontario Stadium 22 Palace
Orland, IL -- Marcus Orland Park 14 Cinemas
Paramus, NJ -- AMC Garden State 16
Pasadena, CA -- Laemmle Playhouse 7 Cinemas
Philadelphia, PA -- NA Bridge Cinema De Lux at UPenn
Philadelphia, PA -- Pearl at Avenue North
Philadelphia, PA -- UA Mainstreet 6 (Manayunk)
Philadelphia, PA -- UA Riverview Plaza 17
Plano, TX -- Angelika Film Center & Cafe
Plano, TX -- Cinemark 24
Pleasantville, NY -- Jacob Burns Film Center
Rancho Cucamonga, CA -- AMC Victoria Gardens 12
Redlands, CA -- Krikorian Redlands Cinema 14
Redondo Beach, CA -- AMC Gallery South Bay 16
Richmond, CA -- Century 16 Hilltop
Rockford, IL -- Kerasotes Showplace 16
Rosemont, IL -- Muvico Rosemont 18
San Francisco, CA -- Century 9 San Francisco Centre
San Francisco, CA -- Sundance Kabuki
San Jose, CA -- CineArts at Santana Row
San Leandro, CA -- Century 16 Bayfair Mall
Santa Monica, CA -- Laemmle Monica 4
Schereville, IL -- Showplace 12
Sherman Oaks, CA -- Pacific ArcLight Sherman Oaks 12
Silver Spring, MD -- Regal Majestic 20
Skokie, IL -- Crown Village Crossing 18
Snellville, GA -- Regal Snellville Oaks 14
Stafford, TX -- LCE Fountains 18
Stamford, GA -- Bow Tie Landmark Cinema 9
Staten Island, NY -- UA Staten Island Stadium
Sugarland, TX -- AMC First Colony 24
The Woodlands, TX -- Cinemark Tinseltown 17
Torrance, CA -- AMC Del Amo 18
Torrance, CA -- AMC Rolling Hills 20
Trumbull, CT Bow Tie Marquis 16
Union City, CA -- Century 25 @ Union Landing
Universal City, CA -- AMC Citywalk Stadium 19
Valley Stream, NY -- LCE St. Charles Towne Center 9
Voorhees, NY -- NA Showcase at the Ritz
Washington, DC -- Regal Gallery Palace Stadium 14
West Nyack, NY -- AMC Palisades Center 21
West Orange, NJ -- AMC Essex Green
Westbury, NY -- UA Westbury 12
White Plains, NY -- NA City Center 15 - Cinema de Lux
Whitestone, NY -- NA College Point Multiplex 12
Wilmington, NY -- Regal Brandwine Town Center 16
Woodbridge, VA -- AMC Potomac Mills 18
Woodbridge, IL -- LCE Woodbridge 18
Yonkers, NY -- NA Cross Country 10

Opening November 20:
Altamonte Springs, FL -- AMC Altamonte Mall 18
Anderson, SC -- Amstar Stadium 14
Annapolis, MD -- Bow Tie Harbour 9
Augusta, GA -- Regal Augusta Exchange 20
Austin, TX -- Alamo Drafthouse South Lamar
Austin, TX -- Regal Arbor Cinemas @ Great Hills
Aventura, FL -- AMC Aventura 24
Baltimore, MD -- AMC White Marsh 16
Baltimore, MD -- Landmark Harbor East Cinema
Baton Rouge, LA -- Cinemark Perkins Rowe 16
Baton Rouge, LA -- Rave Mall of Louisiana Stadium 16
Baton Rouge, LA -- UA Citiplace 11
Bellevue, WA -- Signature Lincoln Square Cinemas 16
Birmingham, MI -- Uptown Birmingham 8
Birmingham, MI -- Uptown Palladium 12
Boca Raton, FL -- Cinemark Palace 20
Boston, MA -- AMC Boston Common
Bowie, MD -- Regal Bowie Cinema 14
Brandon, FL -- AMC Regency 20
Brookline, MA -- Coolidge Corner Theatre
Brooklyn, NY -- Cobble Hill Cinemas
Brooklyn, NY -- LCE Kings Plaza
Bryn Mawr, PA -- Bryn Mawr Film Institute
Burlington, NC -- Carousel Cinemas @ Alamance Crossing
Cambridge, MA -- Landmark Kendall Square
Campbell, CA -- Camera 7
Canton, MA -- E-magine 18 Canton
Centerville, GA -- Georgia Galleria 15 Cinemas
Charlotte, NC -- AMC Carolina Pavilion 22
Charlotte, NC -- AMC Northlake Mall 14
Charlotte, NC -- Ballantyne Village Theatre
Charlotte, NC -- Park Terrace 6
Chesapeake, VA -- Regal Greenbrier Cinema 13
Chicago Ridge, IL -- LCE Chicago Ridge
Chino Hills, CA -- Harkins Chino Hills 18
Cincinnati, OH -- Esquire Theatre
Clarksville, TN -- Great Escape Clarksville 16
Cleveland Heights, OH -- Cedar Lee 6
Cleveland Heights, OH -- Regal Severance Town Center
Clinton, MS -- UA Clinton 10
Colonial Heights, VA -- Regal Southpark Mall Stadium 16
Columbia, MD -- AMC Columbia 14
Columbia, MD -- AMC Dutch Square Mall 14
Columbia, SC -- Columbiana Grande 12
Columbia, SC -- East Fed Sandhill Cinema 16
Columbus, GA -- Carmike 15
Concord Mills, NC -- AMC Concord 24
Cordova, TN -- Malco Cordova Cinema 15
Creve Coeur, MO -- AMC West Olive 16
Cyprus, TX -- Cinemark 12
Dallas, TX -- AMC Grand 24
Dallas, TX -- AMC North Park 15
Daly City, CA -- Century 20 Daly City
Danvers, MA -- Hollywood Hits
Davie, FL -- Cinemark Paradise 24
Dearborn, MI -- AMC Fairlane 21
Denver, CO -- Harkins Northfield 18
Denver, CO -- Landmark Esquire Twin
Dover, DE -- Carmike 14
Durham, NC -- Southpoint Cinema 16
Edina, MN -- AMC Southdale 16
Egg Harbor Township, NJ -- Towne Stadium 16
Farmington Hills, MI -- West River 9
Fayetteville, NC -- Carmike Marke Fair
Florence, SC -- East Fed Swamp Fox Cinemas
Fort Lauderdale, FL -- Regal Cyprus Creek Station 16
Fort Worth, TX -- Hulen Movie Tavern
Frederick, MD -- Regal Westview Movies 16
Fredericksburg, VA -- Regal Fredericksburg Movies 15
Frisco, TX -- AMC Stonebriar
Frontenac, MO -- Landmark Plaza Frontenac 6
Gaithursburg, MD -- AMC Rio Cinemas 18
Garland, TX -- AMC Firewhell 18
Garner, NC -- White Oak Cinemas
Germantown, MD -- Regal Germantown Cinema 14
Glen Allen, VA -- Regal Virginia Center 20
Glendale, AZ -- AMC Westgate 20
Greenbelt, MD -- Academy 8
Greenburgh, NY -- Clearview Cinema 100 Quad
Greensboro, NC -- Grand Four Seasons Station 18
Greenville, SC -- Regal Hollywood 20
Hamilton, NJ -- AMC Hamilton 24
Hamilton, NJ -- Destintas Independence Plaza 12
Hammond, LA -- AMC Plaza Theatre 10
Hampton, VA -- AMC Hampton Towne Center 24
Hanover, MD -- Cinemark Egyptian 24
Harahan, LA -- AMC Elmwood Palace Theatre 20
Hartford, CT -- Bow Tie Palace 17
Harvey, LA -- AMC Palace Theatre 16 (Westbank)
Hayward, CA -- Century Hayward 12
Hazelwood, MO -- Regal St. Louis Mills Stadium 18
High Point, NC -- Palladium Cinemas 14
Hoboken, NJ -- Clearview Hoboken Cinemas
Hollywood, FL -- Regal Oakwood 18
Hoover, AL -- Rave Patton Creek 15
Houma, LA -- AMC Palace Theatre 10
Houston, TX -- Cinemark Tinseltown 290
Houston, TX -- Edwards Marq*E Stadium 23 Cinema
Houston, TX -- Movie Tavern -- Richey Road
Houston, TX -- Rave Yorktown 15
Hurst, TX -- Rave North East Mall 18
Indianapolis, IN -- Kerasotes Showplace 12
Indianapolis, IN -- Kerasotes Showplace 12 @ Washington
Indianapolis, IN -- Landmark Keystone Art Cinema
Indianapolis, IN -- UA Eagle Highlands 10
Jacinto City, TX -- Cinemark Tinseltown 17
Jacksonville, FL -- AMC Regency 24
Jacksonville, FL -- Cinemark Tinseltown 20
Jacksonville, FL -- Hollywood River City 14
Jacksonville, FL -- Regal The Avenues 20
Katy, TX -- Cinemark 19
Lakewood, WA -- Regal Lakewood Cinema 15
Las Vegas, NV -- Century Suncoast 16
Las Vegas, NV -- Rave Town Square 18
Las Vegas, NV -- Regal Boulder Station 11
Las Vegas, NV -- Regal Texas Station 18
Linthicum Heights, MD -- West Nursery 14
Little Rock AR -- Rave Colonel Glenn 18
Long Beach, CA -- UA Movies 6
Macon, GA -- Amstar Stadium 16
Macon, GA -- Regal River Gate Cinema 14
Madison, MS -- Malco Grandview 17
Manassas, VA -- Regal Manassas Cinema 14
Manchester, CT -- NA Showcase Bulkland Hills
Mansfield, TX -- Cinemark 12
Manville, NJ -- Redding Manville 12
Maumee, NJ -- Theatre TBA
McLean, VA -- AMC Tysons Center 16
Memphis, TN -- Malco Majestic 20
Memphis, TN -- Malco Paradiso Cinema 16
Metairie, LA -- AMC Palace Theatre 12 (Clearview)
Miami, FL -- Regal Southland Mall Stadium 12
Miami Beach, FL -- Regal South Beach 18
Minneapolis, MN -- Landmark Lagoon Theater
Minneapolis, MN -- Regal Brooklyn Center 20
Mobile, AL -- Carmike Wynnsong 16
Montgomery, AL -- Rave Festival Plaza
Mt. Clemens, MI -- AMC Gratiot 21
Nashville, TN -- Regal Green Hills Commons 16
Nashville, TN -- Regal Hollywood 27 @ 100 Oaks
Nashville, TN -- Regal Opry Mills 20 & Imax
National City, CA -- AMC Plaza Bonita 14
New Haven, CT -- Bow Tie Criterion Cinemas
Newark, NJ -- Newark Screens
Norfolk, VA -- Cinemark Military Circle
Norfolk, VA -- Regal MacCarthur Center 17
North Baldwin, NY -- Clearview Grand Avenue Cinemas
O'Fallon, IL -- Wehrenberg O'Fallon 15
Orange Park, FL -- AMC Orange Park 24
Orlando, FL -- Cinemark Festival Bay
Orlando, FL -- Regal Waterford Lakes 20
Owings Mills, MD -- AMC Owings Mills Cinema 17
Oxford, AL -- Amstar Stadium 12
Palo Alto, CA -- Landmark Aquarius Twin
Paramount, CA -- Bianchi Paramount 11 Theatres
Pearl, MS -- Cinemark Tinseltown 17 USA
Pearland, TX -- Cinemark 12
Pflugerville, TX -- Cinemark Tinseltown 20
Philadelphia, PA -- AMC Franklin Mills 14
Pinellas Park, FL -- Regal Park Place Stadium 16
Pleasant Hill, CA -- Century City Arts @ Pleasant Hill
Plymouth Meeting, PA -- AMC Plymouth Meeting Cinema 12
Portland, OR -- Regal Fox Tower 10
Portland, OR -- Regal Lloyd Mall 8
Princetown, NJ -- Garden Twin Cinema
Raleigh, NC -- East Fed Movies At Brier Creek
Raleigh, NC -- East Fed Movies At North Hills 14
Redwood City, CA -- Century 20 Downtown Redwood City
Richmond, VA -- Bow Tie Movieland at Boulevard Square
Richmond, VA -- Regal Commonwealth 20
Richmond, VA -- Regal Short Pump 14
Richmond Heights, OH -- Richmond Town Square
Ridgeland, MS -- UA Northpark Jackson 14
Rocky Hill, NJ -- Montgomery 6
Rocky Mount, NC -- Premiere Theater 12
Roseville, MN -- AMC Rosedale 14
Roseville, CA -- Century Roseville 14
Royal Palm Beach, FL -- Regal Royal Palm Beach Plaza 18
Sacramento, CA -- Century Stadium 14
Sacramento, CA -- Redding Tower 3
Sacramento, CA -- Regal Natomas Marketplace 16
Sacramento, CA -- UA Laguna Village 12
Salisbury, MD -- Regal Salisbury Stadium 16
Salt Lake City, UT -- Broadway Centre Theatres
San Diego, CA -- Hillcrest Landmark Cinema 5
San Rafael, CA -- Century Regency 6
Santa Barbara, CA -- Metropolitan Paseo Nuevo 4
Santa Clara, CA -- Nickelodeon
Santa Rosa, CA -- Rialto Cinemas Lakeside
Savannah, GA -- Regal Savannah Mall 10
Scottsdale, AZ -- Harkins Scottsdale 101
Seattle, WA -- Landmark Harvard Exit Twin
Slidell, LA -- Grand 16
South Orange, NJ -- Clearview South Orange Cinemas 5
Southaven, MS -- Malco Desoto Cinemas
Southfield, MI -- AMC Southfield 20
Spartanburg, SC -- Spartan 16
Springfield, PA -- AMC Maple Crossroads 10
St. Louis, MO -- Moolah Theatre
St. Louis, MO -- Wehrenberg Ronnies 20
St. Louis Park, MN -- Theatre TBA
Sterling, VA -- Regal Countryside 20
Sterling Heights, MI -- Marketplace Cinema 20
Suffolk, VA -- Regal Harbour View Grande 16
Sumter, SC -- Georgia Beacon 10
Sunrise, FL -- Regal Sawgrass
Tallahassee, FL -- AMC Tallahassee Mall 20
Tampa, FL -- AMC Veterans 24
Tampa, FL -- Muvico Starlight 20
Temecula, CA -- SoCal The Movie Experience 10
Tempe, AZ -- Harkins Arizona Mills 24
Tempe, AZ -- Harkins Tempe Marketplace 16
Tempe Hills, MD -- Marlow 6 Theatre
The Woodlands, TX -- Cinemark Tinseltown 17 (The Woodlands)
Trussville, AL -- Regal Trussville Cinema 16
Tukwila, WA -- AMC Southcenter 16
Tuscaloosa, AL -- Cobb Hollywood 16 Cinemas
Upper Mountclair, NJ -- Clearview Bellevue Cinema 4
Valley View (Cleveland), OH -- Cinemark 24
Virginia Beach, VA -- AMC Lynnhaven 18
Virginia Beach, VA -- Regal Columbus Movies 12
Waltham, MA -- Landmark Embassy 6
Warrenville, IL -- AMC Cantera 30
Webster, TX -- Cinemark 18
West Palm Beach, FL -- Muvico Parisian 20
Winston-Salem, NC -- Grand 18
Winter Park, FL -- Regal Winter Park Village 20
Yonkers, NY -- Clearview Central Plaza 4
Ypsilanti, MI -- NA Showcase 20 (Ann Arbor)

Opening December 18:
Canton, OH -- Cinemark Tinseltown Movies 15
Cleveland, OH -- Tower City 11
Cuyahoga Falls, OH -- Plaza Cinema at Chapel Hills
Maumee, OH -- NA Showcase Cinema Maumee
Toledo, OH -- NA Franklin Park 16 Cinema DeLux
Waterville, ME -- Railroad Square Cinema
Youngstown, OH -- Cinemark Tinseltown 7]]> 2009-11-17T11:30:00+00:00 http://news.moviefone.com/2009/11/17/precious-movie-theaters-where-to-find-theaters-playing-preci/ <![CDATA[Martin Scorsese Honored by Golden Globes]]> 19235007 It's about time legendary director Martin Scorsese receives an honoree award.

In this morning's announcement, the HFPA, along with Vera Farmiga, declared that the 'Raging Bull' director will be bestowed with the Cecil B DeMille Award during the January 17 live telecast of The 67th Annual Golden Globes. The Hollywood Foreign Press Association chose Scorsese for his "outstanding contributions to the entertainment field," which include the Golden Globe-winning 'The Departed' and 'Gangs of New York.' martin scorseseIt's about time legendary director Martin Scorsese receives an honoree award.

In this morning's announcement, the HFPA, along with Vera Farmiga, declared that the 'Raging Bull' director will be bestowed with the Cecil B DeMille Award during the January 17 live telecast of The 67th Annual Golden Globes. The Hollywood Foreign Press Association chose Scorsese for his "outstanding contributions to the entertainment field," which include the Golden Globe-winning 'The Departed' and 'Gangs of New York.'

Voted by the HFPA, The Golden Globes is usually suspect when it comes to matters of taste. (Robin Williams oddly did receive the same honor back in 2005.) But in the overcrowded Awards show season, I'd rather see an often-overlooked Scorsese snatch up a prize over any other Tinseltown main player.

Recent Cecil B. DeMille winners include Steven Spielberg (2009), Warren Beatty (2007), Anthony Hopkins (2006) and Michael Douglas (2004).

Nominations for The 67th Annual Golden Globe Awards will be announced at 5:00 a.m. on Tuesday, December 15. British comedic actor Ricky Gervais has been awarded the coveted role of host.]]> 2009-11-12T15:30:00+00:00 http://news.moviefone.com/2009/11/12/martin-scorsese-honored-golden-globes/ <![CDATA[Wes Anderson on 'Fantastic Mr. Fox,' Stop-Motion Animation and Roald Dahl]]> 19230072 Oscar-nominated filmmaker Wes Anderson burst onto the film scene in the mid-'90s with the boldly eccentric 'Bottle Rocket' and 'Rushmore,' captivating moviegoers with his oddball characters, vintage flare and unique take on dysfunctional family, all set to great tunes.


Next up: bringing Roald Dahl's cherished children's book 'Fantastic Mr. Fox' to life. Utilizing stop-motion animation, Anderson captures the picaresque misadventures of the wily, chicken-thieving Mr. Fox, voiced by a boisterous George Clooney.

With his first wholly animated film, we caught up with Anderson to discuss the difficulties of crafting a stop-motion feature and his love of Dahl's stories.

Oscar-nominated filmmaker Wes Anderson burst onto the film scene in the mid-'90s with the boldly eccentric 'Bottle Rocket' and 'Rushmore,' captivating moviegoers with his oddball characters, vintage flare and unique take on dysfunctional family, all set to great tunes.


Next up: bringing Roald Dahl's cherished children's book 'Fantastic Mr. Fox' to life. Utilizing stop-motion animation, Anderson captures the picaresque misadventures of the wily, chicken-thieving Mr. Fox, voiced by a boisterous George Clooney.

With his first wholly animated film, we caught up with Anderson to discuss the difficulties of crafting a stop-motion feature and his love of Dahl's stories.

What were some of the obstacles and challenges you faced while directing a purely animated film?
The big challenge for me was, [a process] that is so slow and painstaking and is happening simultaneously on many [production] units-as many as 30 units are slowly unfolding-how can I manage [the individual teams] to the degree that I want to? It's hard to keep your focus on all those [elements]. But we figured out some systems to [coordinate with all the production units], and, in particular, a system where we had computer software where I could look through each of the 30 production units through the camera, live. Or [the crew] could send me a picture, and I would talk to them on the phone or on email [while I was in Paris]. That's how I spent my days, bouncing among the production units and simultaneously working with my production designer, with my editor, with the storyboard artist, and with the department that is in charge of the puppets.

How did you wrestle with the fact that, as a director, you couldn't be as hands-on as one might be working on a live-action film?
The people that are hands-on are just the animators, and that's a team of 15-20 men and women. They are really the actors at that point. I can't do what they do. I can't even fully understand what they do. All we could do is work together to plan it out very precisely and discuss it. When we launch the shot, any particular animator is going to bring back a shot different from another animator. Their individual personalities come into it, and their strengths and taste as animators come into it. And in the same way, on set, you're handing it over to actors and you say action, and you wait and see what happens. That's [similarly] what happens with an animator; it just happens on a very slow pace.

What references helped shape the look of the film?
I [visited] a town called Bath [in England], and I knew I had a climatic showdown scene that we were going to have on the streets. Well, when I was in Bath, I saw how the streets are laid out, and thought this was a perfect arrangement: 'the manhole is here; the farmers are there.' Then [the animators] built Bath. That was sort of the process for the whole movie. Everything is modeled on something, and we're trying to make it as realistic as it can be in the context of a movie where the grass is made of yellow terrycloth, and it has unreality, as well.


How would you compare the animation process in 'The Life Aquatic' with 'Fantastic Mr. Fox'?
Doing a feature film [like 'Fantastic Mr. Fox'], there are sets and a whole world that needs to be made. With ['The Life Aquatic'], Henry Selick was animating in Portland or San Francisco, and I would just be sent a take of a shot, and then we would discuss it. With ['Fantastic Mr. Fox'], it was more like, minute by minute, I was involved with the film. It is such a gradual process, you really have time to add to it and shape it, and bring in every idea that you can think of.


You've mentioned in previous interviews that you enjoyed Roald Dahl's books growing up. What was it about his writing that stuck with you all these years?
['Fantastic Mr. Fox'] was the first Dahl book I read. There's something in Dahl where there's not a deep respect for authority, but there is an interest in ingenuity. The fathers in these stories tend to be people who get everybody in trouble but they also come up with some brilliant solution. Also, [Dahl's books] are wonderfully described stories with great characters. He has a very special imagination, and he expresses it so perfectly.


What is one of your favorite adaptations of a Roald Dahl book?
I always loved Gene Wilder in [Mel Stuart's 'Willy Wonka & the Chocolate Factory']. 'The Witches' is great, too. Angelica Huston is great [in the film]. Nicolas Roeg is a great director. And there were some of [Dahl's superb short stores] that were adapted into [the television series] 'Twilight Zone' and 'Alfred Hitchcock presents'.





What animated films do you respond to?
Well, let's see, one of my big favorites is Hayao Miyazaki. The Miyazaki films are great. There is one called "Porco Rosso" that I love. Also, there is "Princess Mononoke", that's a great one, too. [Miyazaki's films] are equally meant for adults and children. They're just for everybody; they don't really favor one or the other.

Music is such an integral part of your films. Do you have certain songs in mind while writing a script?
[Music] sort of comes in every step of the way, during the writing and sometimes before the writing, and then all the way through until the sound mix. At the last moment you end up saying: 'I have something else.' It becomes part of every step. 'Rushmore', I would say is the movie, more than any other movie I've done, that was done with the songs planned before we shot the movie. Almost every song was planned before we shot the movie but the score was made after.


Do you think a film like 'Bottle Rocket' could be made in this rocky economic climate for independent films?
Well, I don't think it could be made in that climate [in the '90s]. The fact that that movie occurred was [remarkable], because that movie was made by Columbia Pictures. ['Bottle Rocket'] is not a Columbia movie by any means. It was championed by James L. Brooks, and he could say 'we're doing this,' and it's very unusual for somebody in his position [to greenlight a small film like 'Bottle Rocket']. In general, the way a movie like that gets made is somehow people manage to scrape up $375,000, and they do it. [Owen Wilson and I] never managed to scrape up 375,000 dollars; we just somehow got [the script] into the hands of [James L. Brooks]. Nobody else wanted to have anything to do with it.


What are you working on at the moment?
I have a script I just started on; it's so early, not even describable. I'm not sure what shape it's going to take in the end.



]]> 2009-11-10T14:00:00+00:00 http://news.moviefone.com/2009/11/10/wes-anderson-fantastic-mr-fox-interview/ <![CDATA['Brothers' Movie Trailer: Gyllenhaal, Maguire Duke It Out for Portman]]> 19230753 Jim Sheridan's 'Brothers,' based on Susan Beir's 2004 Danish-language film, is the latest victim to Hollywood's current trend of plucking the rights to well-regarded foreign flicks and making them their own. (The 'Let the Right One In' remake is, sadly, shooting in New Mexico at this very moment.)

The new trailer showcases a weepy Natalie Portman mourning the death of her recently "killed in combat" husband, played by Tobey Maguire. Jake Gyllenhaal stars as Maguire's brother, who comforts Portman ... that is, until Maguire makes a miraculous return. Watch the trailer after the jump. Jim Sheridan's 'Brothers,' based on Susan Beir's 2004 Danish-language film, is the latest victim to Hollywood's current trend of plucking the rights to well-regarded foreign flicks and making them their own. (The 'Let the Right One In' remake is, sadly, shooting in New Mexico at this very moment.)

The new trailer showcases a weepy Natalie Portman mourning the death of her recently "killed in combat" husband, played by Tobey Maguire. Jake Gyllenhaal stars as Maguire's brother, who comforts Portman ... that is, until Maguire makes a miraculous return.

Films dealing with the Middle East crisis generally prove box-office flops, but 'Brothers' has Oscar-bait written all over it. Both Sheridan and Portman, and even Gyllenhaal, are no stranger to the Academy Awards telecast. However, 2009 is quickly becoming stiff competition for Oscar films with the Helen Mirren-starrer 'The Last Station' and Rob Marshall's 'Nine' around the corner.

If anyone can garner the attention of Academy voters, though, it's Sheridan and Portman, who will surely make a run for the Best Director and Best Actress categories, respectively. Maguire might be the clear long-shot as past award-worthy performances in quality pictures like 'The Ice Storm' and 'Wonder Boys' have gone unnoticed.

Watch the 'Brothers' trailer:
]]> 2009-11-10T13:00:00+00:00 http://news.moviefone.com/2009/11/10/brothers-movie-trailer/