2011 Year-End Wrap-Up Part III: Good Films You Missed
This is the third of several year-end wrap essays detailing the year in film. This time, it's about highlighting the good or great films that slipped under the radar somehow.
This is the third of several year-end wrap essays detailing the year in film. This time, it's about highlighting the good or great films that slipped under the radar somehow.
While most critics make a point to try to seek out the allegedly best in cinema in any given year, not quite as much effort is made to track down every would-be stinker.
I saw a lot of really good movies this year, and I see no reason not to celebrate as many of them as I can get away with. So now, in alphabetical order, the 10 'runner-ups' of the year.
Even if it took 1/3 of the year to really get cooking, 2011 was an uncommonly solid year for all forms of cinematic entertainment.
If he truly makes her happy, then Belle deserves a lifetime of happiness with the now-human prince. But on the basis of his onscreen behavior, the Beast does not deserve Belle.
Like clockwork, the fourth entry in the ongoing Underworld franchise debuted in the third weekend of January to take the top spot at the box office with a $20 million debut.
In a year when the once-dreaded MPAA rating made somewhat of a comeback, it is disheartening to see that 'adult films' pretty much got shut out not just in the Best Picture category but in many of the major categories as well.
On a film-by-film basis, Spielberg is far more likely to scare you or deeply disturb you than leave you with a nasty case of the warm-and-fuzzies.
In a somewhat refreshing turn of events, this weekend had three wide releases, all budgeted below $45 million and all technically geared towards adults. And for the fourth straight weekend this month, an R-rated new release topped the box office.