Review: A Good Old Fashioned Orgy
There are laughs to be had in A Good Old Fashioned Orgy, though they're inconsistent and haphazard. The whole movie has that sloppy feel, as though it were assembled from leftover parts of other, better comedies.
There are laughs to be had in A Good Old Fashioned Orgy, though they're inconsistent and haphazard. The whole movie has that sloppy feel, as though it were assembled from leftover parts of other, better comedies.
Based on a true story, I'm Glad My Mother is Alive is a film about unrequited mother-love gone haywire -- and the price of bad parenting.
When The Debt reached theaters on Sept. 2, it represented the third film Jessica Chastain currently has in theaters -- with two more opening before the end of the year. Talk about hitting the ground running.
Warrior is like Rocky squared -- an underdog story with two underdogs who, just to up the emotional stakes, happen to be brothers who have to fight each other.
The first hour of Steven Soderbergh's Contagion is so tense that you can almost forgive the second half for getting bogged down.
It's not hard to see how a movie like Main Street got made, at least in theory. Why it's being released is another question altogether.
Rod Lurie's Straw Dogs is a solid, tense drama that packs a wallop and tells its story on Lurie's own terms. It's less a remake than a new version of the story, filtered through Lurie's vision.
I was in a screening at the Toronto International Film Festival on the morning of Sept. 11, 2001, and by the time the movie was over, the World Trade ...
A few thoughts about the Toronto Film Festival in general before I dive into my thoughts about the four films I saw today: First of all, the phones: ...
One of the most buzzed-about movies out of the Cannes Film Festival last spring, Nicolas Winding Refn's Drive is a strange mix of outrageous action an...
My hunch about skipping the opening weekend of this year's Toronto International Film Festival has paid off, in more ways than one. Mostly, however, ...
His recent airplane exploits aside, Gerard Depardieu remains one of the great actors of French film. And the fabulous brute adds further to his legacy with the comic, touching My Afternoons with Margueritte.
Given the size of the Toronto Film Festival and the goals I have when I'm here (primarily to see movies that will be released so I can bank reviews fo...
When I come back from a festival like the Toronto International Film Festival and tell friends that I saw 23 films in four and a half days, they always ask: Isn't it difficult to keep them all straight?
Michael Lewis' book, Moneyball, was a sports thriller disguised as a nonfiction volume about statistics wonks. And Bennett Miller's film of Thomas' bo...
A cousin of films such as Before Sunrise and Brief Encounter, Weekend tells the story of what seems to be a one-night stand, which turns into something more.
Is it too early to call the new fall TV season a wash-out? Having watched the pilots for most of the network shows, I've come away with that sick fee...
Killer Elite is a serviceable action-thriller that eventually runs out of ideas. What starts as a complex tale with strong action set-pieces eventually dwindles to formula, unable to keep as many balls in the air as it promises.
Puncture is an intensely earnest little film, one that deals with a serious issue while trying to tell an equally compelling personal story. Unfortunately, it fades from memory almost before it's left the screen.
It's hard to pigeonhole a director like Marc Forster, who has directed films as varied as Monster's Ball, Quantum of Solace, Stranger than Fiction and...
Yes, potential backers worried about the gay subject matter of Andrew Haigh's Weekend, which opened in limited release last weekend. But they were worried even more, Haigh says, by all the dialogue in the low-budget romantic drama.
50/50 no doubt will be dismissed by critics who distrust movies that deal with feelings, rather than ideas. But it proves that it's possible to be emotional and thoughtful -- and funny -- at the same time.
Moody and portentous, Jeff Nichols' Take Shelter stars the actor who may be our most readily accessible force of darkness at this point in cinematic history: Michael Shannon.
Larry Crowne marked Tom Hanks, who is now 55, as a star who can no longer open a movie. Not that he's lost anything as an actor -- he hasn't. But the movie flopped.