This gangster is haunted, literally. Keyhole begins with an inversion -- a group of criminals have to fight their way past a police barricade into a house -- and only gets stranger from there.

In the newest episode of my ongoing radio show, I review Mister Rogers and Me, a documentary from filmmaker Benjamin Wagner with a somewhat deceptive title.

For some, it is Valhalla; for others, it is a seething, roiling, chaotic pit of humanity. For many, I suspect, it's a phenomenon just slightly more indecipherable than Naked Lunch.

This week's main topic was proposed by Cinefantastique Online managing editor Steve Biodrowski and he joins Lawrence French and Dan Persons to discuss what works and what's just a little silly in this little-known but very satisfying exercise in modern-day horror.

This time, we're looking at Kinyarwanda, a new drama in which director Alrick Brown uses a fractured timeline and mutable genres to portray how the Rwandan genocide of 1994 looked to those trapped in its madness.

Philippe Falardeau's Monsieur Lazhar finds finely-shaded drama in a venue that has defeated many a filmmaker: a classroom full of children.

Joss Whedon has just been the busy, busy little bee lately, hasn't he?

Sex, drugs, and rock 'n' roll! Never gets tired, does it? Well, maybe if you're actually in the middle of it, it may get to wear a bit, yeah.

Thai director Pen-ek Ratanaruang's Headshot begins as a curious twist on the crime thriller, and proceeds from there to delve into questions of morality, redemption, and spirituality. And it still kicks ass, which is cool.

Director Jeremy Power Regimbal makes his feature film debut with this tense tale of class envy pushed to extremes.

The drama of three young Cubans taking the not-inconsequential step of escaping their country to the (possibly) welcoming arms of the United States is traced in startling detail in Una Noche.

In Garbo the Spy, director Edmon Roch uses expert interviews and cunningly deployed film clips to tell the tale of Juan Pujol Garcia -- codename Garbo -- a Spaniard recruited by British intelligence as a double agent.

Director Travis Fine (The Space Between) is making his return to Tribeca with this moving drama. We sat down in the bunker-like entryway to the press lounge to talk about the film.

In his feature film debut, Nancy, Please, director Andrew Semans has created a slyly disturbing tragicomedy that explores how a life strategy built around wallowing in one's own victimhood can lead to a rapid, and quite mortifying, undoing.

A young girl is forced to confront inconvenient truths both global and personal in the drama Future Weather.

If truth is stranger than fiction, then can a serial killer inspired by the eminently strange writings of Edgar Allan Poe be said to be even stranger still?