Just like humans, planes need friends too!
In this exclusive clip from Disney/Pixar's "Planes," Dusty (Dane Cook) meets El Chupacabra, a Mexican air racer he admires. To say Chupacabra is excited about the prospect of a newfound friend is an understatement, as you''ll see. "Planes" follows Dusty's journey as he goes from lowly crop duster to air racer, but not before he gets over his fear of heights, of course.
The family-friendly flick also features the voices of Val Kilmer, Teri Hatcher, and Julia Louis-Dreyfus.
Watch the clip (above)!
"Planes" opens in theatres on August 9.
Gallery | Best Pixar Movies
- 14. 'Cars 2' (2011)
Pixar took a chance on their follow-up to the critically passable, merchandising gold mine "Cars." But instead of finding another adventure for Lighting McQueen, they turned the spotlight on Mater, the (questionably) lovable tow truck voiced by Larry the Cable Guy. Even with flourishes of '60s-era spy films, it was a mistake -- Mater has zero attention span and manic behavior. The movie is like babysitting a child hopped up on sugar cereal for a day.
- 13. 'Brave' (2012)
Pixar's foray into the "Disney Princess" genre started off with a solid setting (the high plains of Scotland!), a solid main character (the rebellious, agile Merida!), and a dynamic relationship dying to be explored with the delicate touch of Pixar (the woes of mother and daughters). But "Brave" never finds footing. It's incredibly small in scope -- a good chunk of the movie takes place in three rooms of Merida's castle -- and splits its story in two. Neither side (even with bears) is that compelling.
- 12. 'Cars' (2006)
"Cars" is a nice movie. It's just nice. Pixar mastermind John Lasseter threw his love for cars up on screen in a flashy, sentimental story of friendship and small-town simplicity and it was... nice. Featuring Paul Newman's final performance and a laid-back turn from Owen Wilson, "Cars" rambles along with its sports movie spirit and does it... nicely. It's nice.
- 11. 'Toy Story 2' (1999)
A sequel needs to find a new angle to be truly revelatory, but the second outing with Woody and Buzz feels like a rehash. Luckily they're characters we love. When the cowboy meets the family he never had, it effectively jerks our tears.
- 10. 'Monster's University' (2013)
"Monster's University" is surprisingly straightforward. Want to know how Sully and Mike met? Want to know how monsters become Scarers? Want to know more about monster Greek life? Pixar's first prequel has you covered. "MU" isn't as inspired as "Monsters Inc.," but it has the razzle dazzle and ingenuity of mind-blowingly detailed animation to hold our attention, putting in some of the craftiest physical comedy of 2013.
- 9. 'Finding Nemo' (2003)
Cuddly, wuddly "Finding Nemo" will be getting its own sequel "Finding Dory" in 2015. However, it will be hard to top the initial majesty of Pixar's underwater drama and the adorable trip Father Marlin and Dory take to look for the titular fish.
- 8. 'Toy Story 3' (2010)
For the "Toy Story" trilogy-capper, editor-turned-director Lee Unkrich melded a heart-pounding adventure in the vein of "The Great Escape" with the recognizable act of moving on from childhood. Touching, thrilling, and completely true to the past "Toy Story" films, "Toy Story 3" had us in tears as we said goodbye to Woody and Buzz for the last time.
- 7. 'Monster's Inc.' (2001)
An understanding of friendship has always been a key ingredient of Pixar's work, and "Monster's Inc." is the culmination of that study. In the film, Sully and Mike find themselves at individual career crossroads. Through action -- a wild ride through human and monster worlds -- and the emergence of the little girl, Boo, the two remind themselves that a close friend can help a person (or monster) get through anything.
- 6. 'A Bug's Life' (1998)
Pixar's riff on "The Seven Samurai" isn't the critically consistent movie one might expect, but the years work in its favor. Building off the simple story of an ant (Flick) taking down oppressive grasshoppers with a team of non-hero bugs, John Lasseter and Andrew Stanton deliver Pixar's strangest, sharpest humor flick.
- 5. 'Up' (2009)
Those first five minutes... those first five minutes! "Up" begins with a swell of emotions before lifting off into the clouds with Carl Fredricksen, Russell, and their talking dog Doug for Pixar's most adventurous film. Melancholy and visual splendor is at the heart of "Up," which is the definition of Pixar's independent spirit.
- 4. 'Ratatouille' (2007)
Brad Bird took over "Ratatouille" part way through the film's development, but came in early enough to put his stamp on it. The result is an energetic love letter to Paris, fine dining, and beating the odds. Patton Oswalt isn't an obvious casting choice, but that's the magic of Pixar -- finding the right voice to match a character. Bird's eye for action continues as he takes us on the tour of a kitchen through the scurrying POV of Ratatouille.
- 3. 'The Incredibles' (2004)
Bird had nothing to prove when he made "Mission: Impossible 4" his first live-action feature -- he had already shown up every action movie out there with Pixar's superhero flick, "The Incredibles." An existential drama about growing old disguised as an issue of "Fantastic Four," Bird's film races along to the bounce of its jazzy score and never lets up. It set a standard for today's comic book movies.
- 2. 'Toy Story' (1995)
Admit it: "You've Got a Friend in Me" is still stuck in your head. Pixar was pushing the envelope when they released "Toy Story" in 1995. The technology forever changed the industry, but it was also a story about people -- even if those people were made of plastic. Tom Hanks and Tim Allen deliver genuine performances behind their CG exteriors, while writer Joss Whedon peppers it with humor that works on every demographic level.
- 1. 'Wall-E' (2008)
After the success of "Finding Nemo," Andrew Stanton could do whatever he pleased. At least, that's the sense we get from his follow-up, "Wall-E," a subversive animated science fiction film that nods to the silent era and still pleases on an inner- (or actual) child level. It's the antithesis of everything Hollywood wants out of a cartoon -- it drops the dialogue, finds real romance, and teaches an honest, shocking lesson. This is Pixar at the top of their game.