Spike Lee 'Red Hook Summer' Q&A: This Is Not A Sequel To 'Do The Right Thing'

First Posted: 01/23/2012 12:50 am Updated: 01/23/2012 11:23 am

Redhook
Jules Brown, Clarke Peters and Nate Parker in "Red Hook Summer."

Spike Lee had a message for the Sundance festival crowd at tonight's world premiere of his new film, "Red Hook Summer": "Please tell them that this is not a motherfucking sequel to 'Do the Right Thing'!"

That's what people had been saying, mostly to fill the vacuum of information surrounding the movie. All anyone seemed to know was that it was set in the Red Hook neighborhood of Brooklyn, that it followed a 13-year-old boy (newcomer Jules Brown) and his preacher grandfather (played by 'The Wire' veteran Clarke Peters), and that it featured the return of Mookie, Lee's pizza-delivering character from his trailblazing 1989 movie about tensions boiling over in the summer heat.

Lee, who took the stage for the post-screening Q&A draped in New York Giants regalia and immediately declared that the audience had "doubled the black population of Utah -- maybe tripled it," prefers to think of "Red Hook Summer" as "another installment in my great chronicles of Brooklyn," a series that includes "She's Gotta Have It," Do the Right Thing," "Clockers" and "Crooklyn."

Religion is front and center throughout the film, but no one should worry that Lee will trade in his megaphone for a prayer book. "All the church stuff came from James McBride," he said, referring to his co-writer and co-producer. "The only time I went to church was when my parents sent me down South."

McBride said he and Lee had had "lots of very heated discussions" about the script, singling out a flashback scene that plays heavily into the film's sure-to-be-controversial late-innings plot twist.

The crowd gasped when Lee revealed that the film was shot in just 19 days, in a 10-block area of the Red Hook Projects. Raising his hand like just another audience member, Chris Rock asked, "What would you have done differently if you had gotten a bunch of studio money? Would he have blown up or some shit?"

After leading a round of applause for Rock, Lee answered his question with a burst of passion. "We never went to the studios with this film, I told you!" he shouted. "We said, 'Were gonna do this motherfucking film ourselves and show it at Sundance.... This whole thing was planned out." Of the studios, he added, "They know nothing about black people. And they gonna give me notes about what a young black boy and girl gonna do in Red Hook? Fuck no! We had to do it ourselves!"

"Red Hook Summer" screens again at Sundance tomorrow morning at 8:30, with additional showings on Tuesday and Saturday.

FOLLOW MOVIEFONE

'FONE FINDS
Spike Lee had a message for the Sundance festival crowd at tonight's world premiere of his new film, "Red Hook Summer": "Please tell them that this is not a motherfucking sequel to 'Do the Right Thing...
Spike Lee had a message for the Sundance festival crowd at tonight's world premiere of his new film, "Red Hook Summer": "Please tell them that this is not a motherfucking sequel to 'Do the Right Thing...
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09:23 PM on 06/12/2012
Spike Lee needs imagination. Spike needs to get out of brooklyn, like Dorothy got out of Kansas. Spike Lee only know about black people in Brooklyn.
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toolhe
11:38 PM on 01/25/2012
What did Rock mean by his question? Anyone else think Rock is lame?
mollybeejay
"Can't we all just get along?" Rodney King
08:59 AM on 02/02/2012
What he meant was that with a 75 to 100 million dollar budget that Lee may have gotten from the studios like other directors, how would the film have been different? it is not a lame question.And no, I don't think Chris Rock is lame.
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ApprxAm
Oh, dam_…the dam is broke!
09:02 AM on 01/25/2012
Hollywood knows everything about Blacks. They simply don't care.
mollybeejay
"Can't we all just get along?" Rodney King
09:01 AM on 02/02/2012
Therein lies the problem. A bunch of white people sitting in a room to make a Black movie or TV show. No, they don't know anything about Black folks. The "They simply don't care part is true.
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HUFFPOST SUPER USER
ApprxAm
Oh, dam_…the dam is broke!
07:01 AM on 07/09/2012
We've been here in America since 17th Century and studied comprehensively almost as long: There's nothing new under the sun when it comes to Blacks in America, especially when almost every major college and university in the United States have sociology departments.

There's nothing about us they don't know and it's always been so.

Yes, Molly, they couldn't care less. With few exception, anything that has to do with Blacks happens with a bunch of Whites sitting in a room. And not just for movies and not just Blacks.
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aasesq
If we must die, O let us nobly die
10:28 PM on 07/08/2012
Hollywood doesn't know anything about blacks, but they do understand whites. Any movies that have black actors must inherently take a back seat to white actors. If this scenario does not occur, Hollywood feels that the movie will ultimately fail. Black male actors are particularly susceptible to this kind of behavior. This is the reason that most black roles call for the actor to appear unintelligent, less authoritative, and even less athletic than their white counterpart. If you ever want to see some of the worst black athletes around, go to the movies. When it comes to black actors, it all about white comfort.
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ApprxAm
Oh, dam_…the dam is broke!
06:55 AM on 07/09/2012
I have to disagree, aasesq; these people aren't stupid, and the "White comfort" thing is all about White money for it works both ways:

The failing potential of a movie is a business decision which is smart business. As long as that's the motive I'm in complete agreement with not making such a film. The other side of the profit motive (White comfort) is the degrading image I think you're alluding to. That is a serious problem that I pray, but very much doubt, will change.

As for the "susceptible" brothers (Black male actors) I do not let off the hook. Of course their are those that simply don't give a damn what they do on film as long as they are paid, no amount of social pressure would matter. Though I don't care much for his films, Tyler Perry has taken control and makes the films he wants to make and this is the best avenue. He and others that follow would probably be more responsive is held accountable by his audience. This will go far in improving the conditions of Black actors in general.

The days of the 1940's are over. Black performers have many more options which makes them more accountable. The choice is theirs.
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Madmac
08:55 AM on 01/25/2012
He's right. It's inconvenient but there's more than enough evidence to back up Spike's statements. If George Lucas, yes THAT George Lucas couldn't get studio financing for Red Tails then you have a problem.
mollybeejay
"Can't we all just get along?" Rodney King
09:01 AM on 02/02/2012
True dat!!! Faved.
09:12 PM on 06/12/2012
Red Tails could have been better.
11:30 PM on 01/24/2012
Hollywood doesn't know anything about white people either, Spike, if it makes you feel any better.

We're ALL cartoon characters on the Hollywood canvas. If we weren't, we'd be on reality TV。

Now,go make some more anti-Semitic remarks about how Hollywood is controlled by the Jews。
05:19 PM on 01/30/2012
HOLLYWOOD is controlled by JEW'S let's be honest and this is not anti-semitic (what does that really mean?) anytime any one says anything about white JEW'S their called anti-semitic .why is that ?and once against white JEWS not only control HOLLYWOOD ,but sport's and the music world also.do your research tkondaks73fans...
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Marv Evre
09:37 PM on 01/24/2012
Hollywood: Are those the people who clean the theaters?
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07:03 PM on 01/24/2012
...or gay people, or asian people, or latino people, or native american people, or.....
05:57 PM on 01/24/2012
I grew up in Red Hook. It was a tough neighborhood back in the 70s. Spike Lee should've made his film "Red Hook Summer" in the 70s or 80s when Red Hook was a dump.
05:10 PM on 01/24/2012
Hollywood doesn't know much about people, period. It just knows how to blow up stuff.
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Marv Evre
09:37 PM on 01/24/2012
No one asked you, Timmy.
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redsongia
is not Chicago
05:01 PM on 01/24/2012
To be fair, Lee said that Hollywood producers don't know anything about black people and, specifically, could give him any real input about what black kids are doing growing up in Red Hook. It seems as though he's trying to represent a very specific neighborhood within the film, not even really ALL Black people, and it seems a pretty valid statement that a bunch of execs on the other coast who have maybe even never been to Brooklyn, let alone this specific neighborhood, would have any good suggestions on character portrayal in this film.
05:51 PM on 01/24/2012
He's telling the truth. I'm writing a movie script now and I don't want to go to any American studio to sell it. And my script is not a Black script. The clowns in Hollywood are PC and they like to change things in your script without the writers input. It's not the producers. It's the clowns at the top of the studios.
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SuperMoncho
The worst kind of prejudice is the kind against me
04:49 PM on 01/24/2012
Ridiculous statement by a sometimes brilliant/sometimes incompetent filmmaker

Hollywood understand how to sell products to most races and that includes black people and that's all they are concerned about so chill out Spike.
05:55 PM on 01/24/2012
You're missing the point. The studios like to change your script and make you go along. There is little to no creativity in Hollywood. It's more like their way or no way.
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SuperMoncho
The worst kind of prejudice is the kind against me
06:23 PM on 01/24/2012
I understand his complaint but this is the way the entertainment industry works unfortunately. If you sell them your script you better be prepared for changes, a lot of changes because its theirs now.

Want a singular POV, go independent which is what he did.
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GQ 336
C.R.E.A.M.
04:35 PM on 01/24/2012
I remember seeing She's Gotta Have It and School Daze in my younger years and really gravitating to the stories and characters. It's cool that James McBride is working with Spike again because he is an awesome writer. If you ever get a chance you have to read "The Color of Water" by James Mcbride it was an excellent read and I really hope he and Spike Lee will make it into a movie one day.
03:49 PM on 01/24/2012
He's just like Sean Penn, always angry. It must be exhausting
11:32 PM on 01/24/2012
At least Spike smiles sometimes。
03:31 PM on 01/24/2012
Why would it want to?
12:24 PM on 01/24/2012
Spike Lee knows nothing about white people but it doesn't stop him from pretending he does.