The movie did come out to rather mixed reviews, although it's very doubtful Moore noticed or even gave a sh*t. (Watchmen artist Dave Gibbons was onhand at last year's Comic-Con to discuss the movie, however, which you read read more about here, courtesy of Elisabeth Rappe.
"I find film in its modern form to be quite bullying... It spoon-feeds us, which has the effect of watering down our collective cultural imagination. It is as if we are freshly hatched birds looking up with our mouths open waiting for Hollywood to feed us more regurgitated worms. The Watchmen film sounds like more regurgitated worms. I for one am sick of worms. Can't we get something else? Perhaps some takeout? Even Chinese worms would be a nice change."
He also didn't mince words about both the comic book industry and the movie industry.
"There are three or four companies now that exist for the sole purpose of creating not comics, but storyboards for films. It may be true that the only reason the comic book industry now exists is for this purpose, to create characters for movies, board games and other types of merchandise. Comics are just a sort of pumpkin patch growing franchises that might be profitable for the ailing movie industry."
A film he does support, and a film I'd like to get my paws on, is a documentary about himself, The Mindscape of Alan Moore: A Psychedelic Journey Through One of the World's Most Powerful Minds. You can peep the trailer below. I want it.
Big tip of the tophat to the most excellent Coilhouse. The multitalented editorial team, Meredith Yayanos, Zoetica Ebb, and Nadya Lev will be hanging with the cream of the creative crop this week at Comic-Con. Their gorgeous collectible magazine is an awesome foray into all things weird and brilliant, and you should buy it immediately, if you haven't already, and bookmark their equally fascinating website. They didn't pay me to say any of this. They just rock.