Henry Selick, the magic man behind painstaking puppetry in movies like Coraline and The Nightmare Before Christmas, is thinking way out of the 3D box. As the featured keynote speaker at this year's National Association of Broadcasters event in Las Vegas, Selick discussed "how digital technology has helped to revitalize the handcrafted approach of stop-motion animation." This was clearly apparent from Coraline, which even in its limited theatrical run made $74.8M, according to BoxOfficeMojo.com.

Selick also discussed the limits of 3D filmmaking; besides the cost and the time involved, 3D films have a limited time on the big screen because there just aren't as many theaters able to project 3D films. Now that the industry is hyping 3D, there are more films competing for those precious few theaters equipped with the technology. (Whether or not anyone really needed to see the Jonas Brothers's purity rings up close in three glorious dimensions is another story altogether.) Pixar's Up is even premiering at Cannes.

Meanwhile, DreamWorks's Jeffrey Katzenberg has been talking up 3D tech for years, and at a mini-preview of Monsters vs. Aliens I attended, even discussed the possibility of people eventually buying their own hip, stylish 3D glasses. Personally, I think 3D can make even the shoddiest movie ten times cooler -- I mean, what other reason is there to see the remake of My Bloody Valentine other than to duck a very realistic pick-axe aiming for your eye?

Holograms, on the other hand... Henry is into holograms. According to The Hollywood Reporter, Selick said, "It looks like this is going to happen... This could be huge, though it could take long time. Everyone wants to bring spectacle to entertainment."

Selick didn't offer any more details about his research into this rather unique take on the future of movies, but since he convinced an army of artists to spend years of their lives knitting tiny sweaters for Coraline, he's got my interest piqued.