When I first saw the Chicago Tribune headline "'Crash' remains top DVD rental,' I was really hoping it was referring to Cronenberg's 1996 film about car crash fetishists. Sadly, it was referring to the Oscar-winning film from 2005 about interconnected Los Angelinos and their issues with class, race, and general navel-gazing.

Even Crash's director Paul Haggis isn't sure why his movie is still top of the pops at Netflix. He told the Chicago Tribune, "I just assumed it was some sort of anomaly... I have no idea why anyone went to the movie in the first place, let alone rent it. It was a little independent film, and when people started to see it, I was amazed."

Haggis, along with many viewers, was also surprised his movie won the Oscar for best picture in 2005, beating out Brokeback Mountain, Capote, Good Night, and Good Luck, and Munich. "It's certainly not a perfect movie," Haggis said. "I love the Oscars; I just think they are the best thing in the world, but if you asked me if it was the best film of the year, I'd say, 'Of course not.'" (So would a lot of people.)

It might have something to do with the Netflix recommending algorithm, which is great but definitely fallible -- it seems to think I want to see 27 Dresses and Henry Poole is Here. Or maybe people are really committed to watching all 81 best picture winners now that they're unemployed. What's your guess?