The die-hards and the locals kept trudging into screenings on Friday, the penultimate day of the SXSW film festival, no doubt dodging sidewalk-jamming musicians. Reports filtered in that there was a massive crowd at the Austin Convention Center to see the late afternoon screening of the critically-debated doc Sweethearts of the Prison Rodeo, and I imagine plenty of people showed up in the evening for the hilarious and unexpectedly poignant Best Worst Movie.
Cinematical Coverage. Yours truly wrote about Gerald Peary's documentary For the Love of Movies: The Story of American Film Criticism. I enjoyed the chronological overview, but the academic approach made me feel like I was watching a term paper. The inaugural broadcast of The Cinematical Roundtable featured writers Drew McWeeny, Scott Weinberg, and William Goss talking about four SXSW presentations that will be hitting theaters in the coming months: The Haunting in Connecticut, Observe and Report, Drag Me to Hell, and The Hurt Locker.
Two films that played at SXSW opened in theaters today; Eugene Novikov thought I Love You, Man was a "sweet, amusing, and perfectly acceptable comedy," but was especially noteworthy because Paul Rudd "begins to stake out his territory as a comedian and a leading man." Erik Davis extolled the virtues of Cary Joji Fukunaga's drama Sin Nombre, both in his republished Sundance review and in his reminder notice -- with trailer!
You can check out all of our SXSW 2009 coverage by clicking here.
Blog Talk. Now that the festival is almost over, new SXSW Producer Janet Pierson is being hailed for the outstanding job she did. Anne Thompson has a great roundup / photo gallery at Variety, Kim Voynar profiles Pierson at Movie City News, and Eric Kohn talks to Pierson about the film selection process at The Wrap.