I returned home from Austin yesterday and am still suffering from SXSW Separation Anxiety. Shawn Levy of The Oregonian sums it up well: "Frankly, music people are nuts compared to the film people (who are nuts compared to the interactive people). And as Austin seems genuinely nuts itself, the whole thing works out nicely."
SXSW kept rolling along, even without me and Shawn. While downtown streets were filled with crowds and music, the film venues had somewhat lighter attendance, making it easier for out of town visitors and local residents to catch up with repeat screenings of buzz titles like Alexander the Last, Goodbye Solo, My Suicide, Made in China, and Humpday.
Tonight, an attendee exulted over getting into the Playboy party and seeing Jane's Addiction, while a film critic observed "people in pirate gear blasting 'Kickstart My Heart' in front of [the] Austin Hilton," and another writer "accidentally had another five-movie day." And you wonder why some of us are addicted to Twitter?
Cinematical Coverage. Eugene Novikov called The Slammin' Salmon, the latest project from the Broken Lizard comedy troupe, "90 minutes of truly inspired comic mayhem." Speaking of mayhem, this critic felt Australian revenge flick The Horseman was brutally effective: "It's a testicle for a vagina instead of an eye for an eye."
Eric D. Snider says that Craig Johnson's True Adolescents is "an acerbic but realistic coming-of-age story ... the tone gradually shifting from hipster-funny to hipster-introspective." Mark Duplass and Melissa Leo star. Jette Kernion liked Tommy Pallotta's documentary American Prince even more than American Boy, the 1978 Martin Scorsese doc that featured the same subject, Steven Prince, "probably because I preferred watching the older Prince over the younger one."
You can check out all of our SXSW 2009 coverage right here.