Weiss' script revolves around three ex-mercenaries who receive a tip as to the location of a terrorist who boasts a $30 million bounty on his head. For that kind of money, they decide to brave a trip into Kashmir, the volatile region between Pakistan and India. And because nothing is ever so simple as heading into a dangerous region to hunt a terrorist, all three men have their own reasons for the journey, and their working relationship is sorely tested.
The idea comes from those early days of the War on Terror, when the U.S. government actually was putting up wanted posters -- it's a sign of how much has happened that I can't remember if anyone ever collected on them. Annaud, ever the adventurist, has every intention of shooting as close as he can to Kashmir, and is traveling to Pakistan with Weiss for research.
While I'm a bit tired of terrorism plotlines, the story has all the classic marks of a Western -- and I'd love to see it tackled as such. Annaud certainly does grueling journeys (inner and outer) and sweeping vistas well, though the final result can be wanting. Here's hoping he can take the best parts of Enemy at the Gates and combine it with his eye for landscapes, and give us a good old fashioned bounty hunt.