Now that Anderson has proven he can craft epic period pieces of the raunchy (Boogie Nights) and morose (There Will Be Blood) kind, he's reached a point where audiences will basically allow him to take them wherever he wants to go. The dynamics of the stage, however, differ greatly from those of the cinema. Since the name and subject matter are a mystery, there's a lot left to the imagination. Will Anderson allow Rudolph and Armisen to unleash their comic potential? Or is that a milkshake I hear brewing?
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