On a quiet weekend for new indie films, several stories merit attention. Let's begin with Caramel, a film from Lebanon that our own Kim Voynar quite enjoyed, calling the comedy/drama set in and around a Beirut beauty salon "funny, heartwarming, and sensitive." Distributor Roadside Attractions opened the picture at 12 locations, where it earned a tidy $6,210 per screen, according to estimates compiled by Leonard Klady at Movie City News. That was tops among new limited releases.

Kim also recommended Eric Byler's Tre, a relationship drama. I haven't seen Byler's latest, but I agree with Kim that he's a very talented filmmaker; she says that he's "at the top of his game" with Tre. Playing on just two screens in Los Angeles, the film grossed $1,800 at each for distributor Cinema Libre. I'm hoping more people will get to see it as it opens in other cities in the coming weeks. The official site has a trailer and more information on future engagements in Chicago and San Francisco.

U2 3D got thoroughly dusted by the Hannah Montana phenomenon, but I would imagine there was no crossover in the audiences. And earnings of $12,620 per screen at 61 engagements is nothing to sneeze at -- that's good enough for second place in the overall per-screen standings, though far behind Hannah's $43,550 per-screen juggernaut. Have two G-rated 3D concert documentaries ever been 1-2 like that before? I think not!

Speaking of face-offs, Juno continued its remarkable run, dropping just 28% in its ninth week of release while playing on 2,475 screens. Its cumulative total is $110 million for distributor Fox Searchlight. Meanwhile, IFC Films expanded Romanian abortion drama 4 Months, 3 Weeks, 2 Days into 17 theaters where it made $7,176 per engagement, according to Box Office Mojo.