CATEGORIES Independent, Toronto International Film Festival, Cinematical Indie, Toronto Film Festival, CinematicalIf you're a film geek like me, you're sitting on pins and needles waiting for the full Toronto International Film Festival schedule to be announced. I'm skipping out on the fest this year because I just put my kids through a 2,000 mile move (though I will be at Telluride giving you all the coverage you can handle from there), but that doesn't mean I'm not pumped up about Cinematical's TIFF coverage, which will be extensive.
The start of the fest seems ages away, and the full schedule isn't even announced for six more days -- stop teasing us already! (Yes, as a kid I did try to scope out the hidden locations of Christmas gifts well before the big day -- I've never liked surprises. What can I say, I'm a control freak.) In the meantime, here's something to whet your appetite: The TIFF Blogs are up and running at full steam. A little sampling of what you can find there:
The Full Frame Documentary Film Fest programmer Phoebe Brush shares her picks from the Real to Reel section with the group. Since docs are one of my own fave genres, I was especially interested in what Phoebe has to say about the TIFF selections. Phoebe's picks are The Dictator Hunter by Klaartje Quirijns (about the brutal regime of Hissène Habré, the former dictator of Chad) Weijun Chen's Please Vote for Me, which played Silverdocs in June, where it won the Sterling Feature competition, and Encounters at the End of the World, which Werner Herzog fans and fanatics will no doubt be lining up to see in droves.
Other TIFF docs that we're especially interested in include Darfur Now, Hollywood Chinese, A Jihad for Love, and My Enemy's Enemy. Scott Weinberg and I saw My Kid Could Paint That at Sundance, and I'd recommend that one for a great doc to see and then talk about over late-night ales at a pub or a 2AM pizza slice.
Midnight Madness is always one of the most fun parts of TIFF, and Scott Weinberg will once again be Cinematical's Man at Midnight, bringing you all the hottest horror reviews and on-the-scene action from those always-zany midnight crowds. Over on the Midnight Madness Blog, MM programmer Colin Geddes gives you a sneak pick at one of the most-anticpated films in the Midnight section, Fumihiko Sori's Vexille. Geddes points all you anime fans to the film's official website, which is streaming the first 12 minutes of the film. Vexille premieres at TIFF on Sunday, September 9 at Midnight Madness.
Other Midnight Madness coverage we're itching to bring you: Takashi Miike's Sukiyaki Western Django, The Diary of the Dead, Mother of Tears, and Stuck.
TIFF is one of the few places where you can really sink your teeth into some Canadian film, and there are some hot films from Canada in this year's lineup, including David Cronenberg's Eastern Promises, which stars one of my other secret movie star boyfriends, Viggo Mortenson. I stood about 10 feet away from The Viggo at last year's TIFF while waiting to interview Laura Linney, and I can attest that he is even better-looking in person -- the man just radiates "movie star" -- but I must confess that I prefer him all dirty and bearded as Aragorn to golden and glowing for press interviews. Other notable Canadian offerings that we'll try to cover: Francois Girard's Silk, Bruce Sweeney's American Venus, Ernie Barbarash's They Wait, and Martin Gero's Young People F*cking (that one just because ... well, because the title alone intrigues us).
That's enough to get us excited for the fest, now we just need to see the full lineup and start counting down the days. Let us know what you're hot to see us cover at Toronto. And hey, indie filmmakers -- if you have a film at TIFF you'd like us to check out, let us know. Some of my own fave fest finds would've gotten lost in the shuffle if a filmmaker hadn't contacted me to let me know about it. Also, please get your film listed on IMDb and get an easy-to-find official website up! The more we can find out about your film, the more likely it will be to stand out from the slew of films we have to sort through to decide what to cover, so help us out a little here, will ya?